It was the cart which had told against him, it was the cart’s place to protect him.
At the moment when the sergeant was on the point of making his descent on Gavroche, the cart, converted into a projectile and launched with all the latter’s might, rolled down upon him furiously, and the sergeant, struck full in the stomach, tumbled over backwards into the gutter while his gun went off in the air.
The men of the post had rushed out pell-mell at the sergeant’s shout; the shot brought on a general random discharge, after which they reloaded their weapons and began again.
This blind-man’s-buff musketry lasted for a quarter of an hour and killed several panes of glass.
In the meanwhile, Gavroche, who had retraced his steps at full speed, halted five or six streets distant and seated himself, panting, on the stone post which forms the corner of the Enfants-Rouges.
He listened.
After panting for a few minutes, he turned in the direction where the fusillade was raging, lifted his left hand to a level with his nose and thrust it forward three times, as he slapped the back of his head with his right hand; an imperious gesture in which Parisian street-urchindom has condensed French irony, and which is evidently efficacious, since it has already lasted half a century.
This gayety was troubled by one bitter reflection.
“Yes,” said he, “I’m splitting with laughter, I’m twisting with delight, I abound in joy, but I’m losing my way, I shall have to take a roundabout way.
If I only reach the barricade in season!”
Thereupon he set out again on a run.
And as he ran:— “Ah, by the way, where was I?” said he.
And he resumed his ditty, as he plunged rapidly through the streets, and this is what died away in the gloom:—
“Mais il reste encore des bastilles,
Et je vais mettre le hola
Dans l’ordre public que voila.
Ou vont les belles filles,
Lon la.
“Quelqu’un veut-il jouer aux quilles?
Tout l’ancien monde s‘ecroula
Quand la grosse boule roula.
Ou vont les belles filles,
Lon la.
“Vieux bon peuple, a coups de bequilles,
Cassons ce Louvre ou s‘etala
La monarchie en falbala.
Ou vont les belles filles,
Lon la.
“Nous en avons force les grilles,
Le roi Charles-Dix ce jour-la,
Tenait mal et se decolla.
Ou vont les belles filles,
Lon la."
The post’s recourse to arms was not without result.
The cart was conquered, the drunken man was taken prisoner.
The first was put in the pound, the second was later on somewhat harassed before the councils of war as an accomplice.
The public ministry of the day proved its indefatigable zeal in the defence of society, in this instance.
Gavroche’s adventure, which has lingered as a tradition in the quarters of the Temple, is one of the most terrible souvenirs of the elderly bourgeois of the Marais, and is entitled in their memories:
“The nocturnal attack by the post of the Royal Printing Establishment.”
VOLUME V—JEAN VALJEAN
BOOK FIRST.—THE WAR BETWEEN FOUR WALLS
CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA OF THE FAUBOURG DU TEMPLE
The two most memorable barricades which the observer of social maladies can name do not belong to the period in which the action of this work is laid.
These two barricades, both of them symbols, under two different aspects, of a redoubtable situation, sprang from the earth at the time of the fatal insurrection of June, 1848, the greatest war of the streets that history has ever beheld.
It sometimes happens that, even contrary to principles, even contrary to liberty, equality, and fraternity, even contrary to the universal vote, even contrary to the government, by all for all, from the depths of its anguish, of its discouragements and its destitutions, of its fevers, of its distresses, of its miasmas, of its ignorances, of its darkness, that great and despairing body, the rabble, protests against, and that the populace wages battle against, the people.
Beggars attack the common right; the ochlocracy rises against demos.
These are melancholy days; for there is always a certain amount of night even in this madness, there is suicide in this duel, and those words which are intended to be insults—beggars, canaille, ochlocracy, populace—exhibit, alas! rather the fault of those who reign than the fault of those who suffer; rather the fault of the privileged than the fault of the disinherited.
For our own part, we never pronounce those words without pain and without respect, for when philosophy fathoms the facts to which they correspond, it often finds many a grandeur beside these miseries.
Athens was an ochlocracy; the beggars were the making of Holland; the populace saved Rome more than once; and the rabble followed Jesus Christ.
There is no thinker who has not at times contemplated the magnificences of the lower classes.