It was of this rabble that Saint Jerome was thinking, no doubt, and of all these poor people and all these vagabonds and all these miserable people whence sprang the apostles and the martyrs, when he uttered this mysterious saying: “Fex urbis, lex orbis,”—the dregs of the city, the law of the earth.
The exasperations of this crowd which suffers and bleeds, its violences contrary to all sense, directed against the principles which are its life, its masterful deeds against the right, are its popular coups d‘etat and should be repressed.
The man of probity sacrifices himself, and out of his very love for this crowd, he combats it.
But how excusable he feels it even while holding out against it!
How he venerates it even while resisting it!
This is one of those rare moments when, while doing that which it is one’s duty to do, one feels something which disconcerts one, and which would dissuade one from proceeding further; one persists, it is necessary, but conscience, though satisfied, is sad, and the accomplishment of duty is complicated with a pain at the heart.
June, 1848, let us hasten to say, was an exceptional fact, and almost impossible of classification, in the philosophy of history.
All the words which we have just uttered, must be discarded, when it becomes a question of this extraordinary revolt, in which one feels the holy anxiety of toil claiming its rights.
It was necessary to combat it, and this was a duty, for it attacked the republic.
But what was June, 1848, at bottom?
A revolt of the people against itself.
Where the subject is not lost sight of, there is no digression; may we, then, be permitted to arrest the reader’s attention for a moment on the two absolutely unique barricades of which we have just spoken and which characterized this insurrection.
One blocked the entrance to the Faubourg Saint Antoine; the other defended the approach to the Faubourg du Temple; those before whom these two fearful masterpieces of civil war reared themselves beneath the brilliant blue sky of June, will never forget them.
The Saint-Antoine barricade was tremendous; it was three stories high, and seven hundred feet wide.
It barred the vast opening of the faubourg, that is to say, three streets, from angle to angle; ravined, jagged, cut up, divided, crenelated, with an immense rent, buttressed with piles that were bastions in themselves throwing out capes here and there, powerfully backed up by two great promontories of houses of the faubourg, it reared itself like a cyclopean dike at the end of the formidable place which had seen the 14th of July.
Nineteen barricades were ranged, one behind the other, in the depths of the streets behind this principal barricade.
At the very sight of it, one felt the agonizing suffering in the immense faubourg, which had reached that point of extremity when a distress may become a catastrophe.
Of what was that barricade made?
Of the ruins of three six-story houses demolished expressly, said some.
Of the prodigy of all wraths, said others.
It wore the lamentable aspect of all constructions of hatred, ruin.
It might be asked: Who built this?
It might also be said: Who destroyed this?
It was the improvisation of the ebullition.
Hold! take this door! this grating! this penthouse! this chimney-piece! this broken brazier! this cracked pot!
Give all! cast away all!
Push this roll, dig, dismantle, overturn, ruin everything!
It was the collaboration of the pavement, the block of stone, the beam, the bar of iron, the rag, the scrap, the broken pane, the unseated chair, the cabbage-stalk, the tatter, the rag, and the malediction.
It was grand and it was petty.
It was the abyss parodied on the public place by hubbub.
The mass beside the atom; the strip of ruined wall and the broken bowl,—threatening fraternization of every sort of rubbish. Sisyphus had thrown his rock there and Job his potsherd.
Terrible, in short.
It was the acropolis of the barefooted.
Overturned carts broke the uniformity of the slope; an immense dray was spread out there crossways, its axle pointing heavenward, and seemed a scar on that tumultuous facade; an omnibus hoisted gayly, by main force, to the very summit of the heap, as though the architects of this bit of savagery had wished to add a touch of the street urchin humor to their terror, presented its horseless, unharnessed pole to no one knows what horses of the air.
This gigantic heap, the alluvium of the revolt, figured to the mind an Ossa on Pelion of all revolutions; ‘93 on ‘89, the 9th of Thermidor on the 10th of August, the 18th of Brumaire on the 11th of January, Vendemiaire on Prairial, 1848 on 1830.
The situation deserved the trouble and this barricade was worthy to figure on the very spot whence the Bastille had disappeared.
If the ocean made dikes, it is thus that it would build.
The fury of the flood was stamped upon this shapeless mass.
What flood?
The crowd.
One thought one beheld hubbub petrified.
One thought one heard humming above this barricade as though there had been over their hive, enormous, dark bees of violent progress.
Was it a thicket?
Was it a bacchanalia?
Was it a fortress?
Vertigo seemed to have constructed it with blows of its wings.
There was something of the cesspool in that redoubt and something Olympian in that confusion.
One there beheld in a pell-mell full of despair, the rafters of roofs, bits of garret windows with their figured paper, window sashes with their glass planted there in the ruins awaiting the cannon, wrecks of chimneys, cupboards, tables, benches, howling topsyturveydom, and those thousand poverty-stricken things, the very refuse of the mendicant, which contain at the same time fury and nothingness.
One would have said that it was the tatters of a people, rags of wood, of iron, of bronze, of stone, and that the Faubourg Saint Antoine had thrust it there at its door, with a colossal flourish of the broom making of its misery its barricade.
Blocks resembling headsman’s blocks, dislocated chains, pieces of woodwork with brackets having the form of gibbets, horizontal wheels projecting from the rubbish, amalgamated with this edifice of anarchy the sombre figure of the old tortures endured by the people.