William Faulkner Fullscreen Sanctuary (1931)

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“Durn my hide,” he said. He looked at Temple again with his pale, empty gaze.

His hair grew innocent and straw-like, bleached on the crown, darkening about his ears and neck in untidy curls.

“She’s a right tall gal, too,” he said.

“With them skinny legs of hern.

How much she weigh?”

Temple extended her hand.

He returned the slipper slowly, looking at her, at her belly and loins.

“He aint laid no crop by yit, has he?”

“Come on,” Gowan said, “let’s get going.

We’ve got to get a car and get back to Jefferson by night.”

When the sand ceased Temple sat down and put her slippers on.

She found the man watching her lifted thigh and she jerked her skirt down and sprang up.

“Well,” she said, “go on.

Dont you know the way?”

The house came into sight, above the cedar grove beyond whose black interstices an apple orchard flaunted in the sunny afternoon.

It was set in a ruined lawn, surrounded by abandoned grounds and fallen outbuildings.

But nowhere was any sign of husbandry—plow or tool; in no direction was a planted field in sight—only a gaunt weather-stained ruin in a sombre grove through which the breeze drew with a sad, murmurous sound.

Temple stopped.

“I dont want to go there,” she said.

“You go on and get the car,” she told the man.

“We’ll wait here.”

“He said fer y’all to come on to the house,” the man said.

“Who did?” Temple said.

“Does that black man think he can tell me what to do?”

“Ah, come on,” Gowan said.

“Let’s see Goodwin and get a car.

It’s getting late.

Mrs Goodwin’s here, isn’t she?”

“Hit’s likely,” the man said.

“Come on,” Gowan said.

They went on to the house.

The man mounted to the porch and set the shotgun just inside the door.

“She’s around somewher,” he said.

He looked at Temple again.

“Hit aint no cause fer yo wife to fret,” he said.

“Lee’ll git you to town, I reckon.”

Temple looked at him.

They looked at one another soberly, like two children or two dogs.

“What’s your name?”

“My name’s Tawmmy,” he said.

“Hit aint no need to fret.”

The hall was open through the house.

She entered.

“Where you going?” Gowan said.

“Why dont you wait out here?”

She didn’t answer. She went on down the hall.

Behind her she could hear Gowan’s and the man’s voices.

The back porch lay in sunlight, a segment of sunlight framed by the door.

Beyond, she could see a weed-choked slope and a huge barn, broken-backed, tranquil in sunny desolation.

To the right of the door she could see the corner either of a detached building or of a wing of the house.