David Herbert Lawrence Fullscreen Women in love (1920)

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Gerald went past the dark shops and houses, most of them sleeping now, and twisted round to the little blind road that ended on a field of darkness.

He slowed down, as he neared his goal, not knowing how he should proceed.

What if the house were closed in darkness?

But it was not.

He saw a big lighted window, and heard voices, then a gate banged.

His quick ears caught the sound of Birkin's voice, his keen eyes made out Birkin, with Ursula standing in a pale dress on the step of the garden path.

Then Ursula stepped down, and came along the road, holding Birkin's arm.

Gerald went across into the darkness and they dawdled past him, talking happily, Birkin's voice low, Ursula's high and distinct.

Gerald went quickly to the house.

The blinds were drawn before the big, lighted window of the diningroom.

Looking up the path at the side he could see the door left open, shedding a soft, coloured light from the hall lamp.

He went quickly and silently up the path, and looked up into the hall.

There were pictures on the walls, and the antlers of a stag—and the stairs going up on one side—and just near the foot of the stairs the half opened door of the dining-room.

With heart drawn fine, Gerald stepped into the hall, whose floor was of coloured tiles, went quickly and looked into the large, pleasant room.

In a chair by the fire, the father sat asleep, his head tilted back against the side of the big oak chimney piece, his ruddy face seen foreshortened, the nostrils open, the mouth fallen a little.

It would take the merest sound to wake him.

Gerald stood a second suspended.

He glanced down the passage behind him.

It was all dark.

Again he was suspended.

Then he went swiftly upstairs.

His senses were so finely, almost supernaturally keen, that he seemed to cast his own will over the half-unconscious house.

He came to the first landing. There he stood, scarcely breathing.

Again, corresponding to the door below, there was a door again.

That would be the mother's room.

He could hear her moving about in the candlelight.

She would be expecting her husband to come up.

He looked along the dark landing.

Then, silently, on infinitely careful feet, he went along the passage, feeling the wall with the extreme tips of his fingers.

There was a door.

He stood and listened.

He could hear two people's breathing.

It was not that.

He went stealthily forward.

There was another door, slightly open.

The room was in darkness. Empty.

Then there was the bathroom, he could smell the soap and the heat.

Then at the end another bedroom—one soft breathing.

This was she.

With an almost occult carefulness he turned the door handle, and opened the door an inch.

It creaked slightly.

Then he opened it another inch—then another.

His heart did not beat, he seemed to create a silence about himself, an obliviousness.

He was in the room.

Still the sleeper breathed softly.

It was very dark.

He felt his way forward inch by inch, with his feet and hands.

He touched the bed, he could hear the sleeper.

He drew nearer, bending close as if his eyes would disclose whatever there was.

And then, very near to his face, to his fear, he saw the round, dark head of a boy.