It came to her idly thus—for her humour could still play—that she didn't seem then the same success with them as with the inhabitants of London, who had taken her up on scarce more of an acquaintance.
She could wonder if they would be different should she go back with that glamour attached; and she could also wonder, if it came to that, whether she should ever go back.
Her friends straggled past, at any rate, in all the vividness of their absent criticism, and she had even at last the sense of taking a mean advantage.
There was a finer instant, however, at which three ladies, clearly a mother and daughters, had paused before her under compulsion of a comment apparently just uttered by one of them and referring to some object on the other side of the room.
Milly had her back to the object, but her face very much to her young compatriot, the one who had spoken and in whose look she perceived a certain gloom of recognition.
Recognition, for that matter, sat confessedly in her own eyes: she knew the three, generically, as easily as a schoolboy with a crib in his lap would know the answer in class; she felt, like the schoolboy, guilty enough—questioned, as honour went, as to her right so to possess, to dispossess, people who hadn't consciously provoked her.
She would have been able to say where they lived, and how, had the place and the way been but amenable to the positive; she bent tenderly, in imagination, over marital, paternal Mr. Whatever-he-was, at home, eternally named, with all the honours and placidities, but eternally unseen and existing only as some one who could be financially heard from.
The mother, the puffed and composed whiteness of whose hair had no relation to her apparent age, showed a countenance almost chemically clean and dry; her companions wore an air of vague resentment humanised by fatigue; and the three were equally adorned with short cloaks of coloured cloth surmounted by little tartan hoods.
The tartans were doubtless conceivable as different, but the cloaks, curiously, only thinkable as one.
"Handsome?
Well, if you choose to say so." It was the mother who had spoken, who herself added, after a pause during which Milly took the reference as to a picture: "In the English style."
The three pair of eyes had converged, and their possessors had for an instant rested, with the effect of a drop of the subject, on this last characterisation—with that, too, of a gloom not less mute in one of the daughters than murmured in the other.
Milly's heart went out to them while they turned their backs; she said to herself that they ought to have known her, that there was something between them they might have beautifully put together.
But she had lost them also—they were cold; they left her in her weak wonder as to what they had been looking at.
The "handsome" disposed her to turn—all the more that the "English style" would be the English school, which she liked; only she saw, before moving, by the array on the side facing her, that she was in fact among small Dutch pictures.
The action of this was again appreciable—the dim surmise that it wouldn't then be by a picture that the spring in the three ladies had been pressed.
It was at all events time she should go, and she turned as she got on her feet. She had had behind her one of the entrances and various visitors who had come in while she sat, visitors single and in pairs—by one of the former of whom she felt her eyes suddenly held.
This was a gentleman in the middle of the place, a gentleman who had removed his hat and was for a moment, while he glanced, absently, as she could see, at the top tier of the collection, tapping his forehead with his pocket-handkerchief.
The occupation held him long enough to give Milly time to take for granted—and a few seconds sufficed—that his face was the object just observed by her friends.
This could only have been because she concurred in their tribute, even qualified, and indeed "the English style" of the gentleman—perhaps by instant contrast to the American—was what had had the arresting power.
This arresting power, at the same time—and that was the marvel—had already sharpened almost to pain, for in the very act of judging the bared head with detachment she felt herself shaken by a knowledge of it.
It was Merton Densher's own, and he was standing there, standing long enough unconscious for her to fix him and then hesitate.
These successions were swift, so that she could still ask herself in freedom if she had best let him see her.
She could still reply to that that she shouldn't like him to catch her in the effort to prevent this; and she might further have decided that he was too preoccupied to see anything had not a perception intervened that surpassed the first in violence.
She was unable to think afterwards how long she had looked at him before knowing herself as otherwise looked at; all she was coherently to put together was that she had had a second recognition without his having noticed her.
The source of this latter shock was nobody less than Kate Croy—Kate Croy who was suddenly also in the line of vision and whose eyes met her eyes at their next movement.
Kate was but two yards off—Mr. Densher wasn't alone.
Kate's face specifically said so, for after a stare as blank at first as Milly's it broke into a far smile.
That was what, wonderfully—in addition to the marvel of their meeting—passed from her for Milly; the instant reduction to easy terms of the fact of their being there, the two young women, together.
It was perhaps only afterwards that the girl fully felt the connection between this touch and her already established conviction that Kate was a prodigious person; yet on the spot she none the less, in a degree, knew herself handled and again, as she had been the night before, dealt with—absolutely even dealt with for her greater pleasure.
A minute in fine hadn't elapsed before Kate had somehow made her provisionally take everything as natural.
The provisional was just the charm—acquiring that character from one moment to the other; it represented happily so much that Kate would explain on the very first chance.
This left moreover—and that was the greatest wonder—all due margin for amusement at the way things happened, the monstrous oddity of their turning up in such a place on the very heels of their having separated without allusion to it.
The handsome girl was thus literally in control of the scene by the time Merton Densher was ready to exclaim with a high flush, or a vivid blush—one didn't distinguish the embarrassment from the joy—"Why, Miss Theale: fancy!" and
"Why, Miss Theale: what luck!"
Miss Theale had meanwhile the sense that for him too, on Kate's part, something wonderful and unspoken was determinant; and this although, distinctly, his companion had no more looked at him with a hint than he had looked at her with a question.
He had looked and he was looking only at Milly herself, ever so pleasantly and considerately—she scarce knew what to call it; but without prejudice to her consciousness, all the same, that women got out of predicaments better than men.
The predicament of course wasn't definite or phraseable—and the way they let all phrasing pass was presently to recur to our young woman as a characteristic triumph of the civilised state; but she took it for granted, insistently, with a small private flare of passion, because the one thing she could think of to do for him was to show him how she eased him off.
She would really, tired and nervous, have been much disconcerted, were it not that the opportunity in question had saved her.
It was what had saved her most, what had made her, after the first few seconds, almost as brave for Kate as Kate was for her, had made her only ask herself what their friend would like of her.
That he was at the end of three minutes, without the least complicated reference, so smoothly "their" friend was just the effect of their all being sublimely civilised.
The flash in which he saw this was, for Milly, fairly inspiring—to that degree in fact that she was even now, on such a plane, yearning to be supreme.
It took, no doubt, a big dose of inspiration to treat as not funny—or at least as not unpleasant—the anomaly, for Kate, that she knew their gentleman, and for herself, that Kate was spending the morning with him; but everything continued to make for this after Milly had tasted of her draught.
She was to wonder in subsequent reflection what in the world they had actually said, since they had made such a success of what they didn't say; the sweetness of the draught for the time, at any rate, was to feel success assured.
What depended on this for Mr. Densher was all obscurity to her, and she perhaps but invented the image of his need as a short cut to service.
Whatever were the facts, their perfect manners, all round, saw them through.
The finest part of Milly's own inspiration, it may further be mentioned, was the quick perception that what would be of most service was, so to speak, her own native wood-note.
She had long been conscious with shame for her thin blood, or at least for her poor economy, of her unused margin as an American girl—closely indeed as, in English air, the text might appear to cover the page.
She still had reserves of spontaneity, if not of comicality; so that all this cash in hand could now find employment.
She became as spontaneous as possible and as American as it might conveniently appeal to Mr. Densher, after his travels, to find her.