The odious Mahometan expresses himself charmed by her beauty.
She falls down on her knees and entreats him to restore her to the mountains where she was born, and where her Circassian lover is still deploring the absence of his Zuleikah.
No entreaties will move the obdurate Hassan.
He laughs at the notion of the Circassian bridegroom.
Zuleikah covers her face with her hands and drops down in an attitude of the most beautiful despair.
There seems to be no hope for her, when--when the Kislar Aga appears.
The Kislar Aga brings a letter from the Sultan.
Hassan receives and places on his head the dread firman.
A ghastly terror seizes him, while on the Negro's face (it is Mesrour again in another costume) appears a ghastly joy.
"Mercy! mercy!" cries the Pasha: while the Kislar Aga, grinning horribly, pulls out--a bow-string.
The curtain draws just as he is going to use that awful weapon.
Hassan from within bawls out,
"First two syllables"--and Mrs. Rawdon Crawley, who is going to act in the charade, comes forward and compliments Mrs. Winkworth on the admirable taste and beauty of her costume.
The second part of the charade takes place.
It is still an Eastern scene.
Hassan, in another dress, is in an attitude by Zuleikah, who is perfectly reconciled to him.
The Kislar Aga has become a peaceful black slave.
It is sunrise on the desert, and the Turks turn their heads eastwards and bow to the sand.
As there are no dromedaries at hand, the band facetiously plays
"The Camels are coming."
An enormous Egyptian head figures in the scene.
It is a musical one--and, to the surprise of the oriental travellers, sings a comic song, composed by Mr. Wagg.
The Eastern voyagers go off dancing, like Papageno and the Moorish King in The Magic Flute.
"Last two syllables," roars the head.
The last act opens.
It is a Grecian tent this time.
A tall and stalwart man reposes on a couch there.
Above him hang his helmet and shield.
There is no need for them now.
Ilium is down.
Iphigenia is slain.
Cassandra is a prisoner in his outer halls.
The king of men (it is Colonel Crawley, who, indeed, has no notion about the sack of Ilium or the conquest of Cassandra), the anax andron is asleep in his chamber at Argos.
A lamp casts the broad shadow of the sleeping warrior flickering on the wall--the sword and shield of Troy glitter in its light.
The band plays the awful music of Don Juan, before the statue enters.
Aegisthus steals in pale and on tiptoe.
What is that ghastly face looking out balefully after him from behind the arras?
He raises his dagger to strike the sleeper, who turns in his bed, and opens his broad chest as if for the blow.
He cannot strike the noble slumbering chieftain.
Clytemnestra glides swiftly into the room like an apparition--her arms are bare and white--her tawny hair floats down her shoulders--her face is deadly pale--and her eyes are lighted up with a smile so ghastly that people quake as they look at her.
A tremor ran through the room.
"Good God!" somebody said, "it's Mrs. Rawdon Crawley."
Scornfully she snatches the dagger out of Aegisthus's hand and advances to the bed.
You see it shining over her head in the glimmer of the lamp, and--and the lamp goes out, with a groan, and all is dark.
The darkness and the scene frightened people.
Rebecca performed her part so well, and with such ghastly truth, that the spectators were all dumb, until, with a burst, all the lamps of the hall blazed out again, when everybody began to shout applause.
"Brava! brava!" old Steyne's strident voice was heard roaring over all the rest.
"By--, she'd do it too," he said between his teeth. The performers were called by the whole house, which sounded with cries of
"Manager!
Clytemnestra!"