The highest form of literature is the tragedy, a play in which everybody is murdered at the end.
In the old chronicles you read of earthquakes and pestilences, and are told that these showed the power and majesty of God and the littleness of Man.
Nowadays the chronicles describe battles.
In a battle two bodies of men shoot at one another with bullets and explosive shells until one body runs away, when the others chase the fugitives on horseback and cut them to pieces as they fly.
And this, the chronicle concludes, shows the greatness and majesty of empires, and the littleness of the vanquished.
Over such battles the people run about the streets yelling with delight, and egg their Governments on to spend hundreds of millions of money in the slaughter, whilst the strongest Ministers dare not spend an extra penny in the pound against the poverty and pestilence through which they themselves daily walk.
I could give you a thousand instances; but they all come to the same thing: the power that governs the earth is not the power of Life but of Death; and the inner need that has nerved Life to the effort of organizing itself into the human being is not the need for higher life but for a more efficient engine of destruction.
The plague, the famine, the earthquake, the tempest were too spasmodic in their action; the tiger and crocodile were too easily satiated and not cruel enough: something more constantly, more ruthlessly, more ingeniously destructive was needed; and that something was Man, the inventor of the rack, the stake, the gallows, and the electrocutor; of the sword and gun; above all, of justice, duty, patriotism and all the other isms by which even those who are clever enough to be humanely disposed are persuaded to become the most destructive of all the destroyers.
DON JUAN.
Pshaw! all this is old.
Your weak side, my diabolic friend, is that you have always been a gull: you take Man at his own valuation. Nothing would flatter him more than your opinion of him.
He loves to think of himself as bold and bad.
He is neither one nor the other: he is only a coward.
Call him tyrant, murderer, pirate, bully; and he will adore you, and swagger about with the consciousness of having the blood of the old sea kings in his veins.
Call him liar and thief; and he will only take an action against you for libel.
But call him coward; and he will go mad with rage: he will face death to outface that stinging truth.
Man gives every reason for his conduct save one, every excuse for his crimes save one, every plea for his safety save one; and that one is his cowardice.
Yet all his civilization is founded on his cowardice, on his abject tameness, which he calls his respectability.
There are limits to what a mule or an ass will stand; but Man will suffer himself to be degraded until his vileness becomes so loathsome to his oppressors that they themselves are forced to reform it.
THE DEVIL.
Precisely.
And these are the creatures in whom you discover what you call a Life Force!
DON JUAN.
Yes; for now comes the most surprising part of the whole business.
THE STATUE.
What's that?
DON JUAN.
Why, that you can make any of these cowards brave by simply putting an idea into his head.
THE STATUE.
Stuff!
As an old soldier I admit the cowardice: it's as universal as sea sickness, and matters just as little.
But that about putting an idea into a man's head is stuff and nonsense.
In a battle all you need to make you fight is a little hot blood and the knowledge that it's more dangerous to lose than to win.
DON JUAN.
That is perhaps why battles are so useless.
But men never really overcome fear until they imagine they are fighting to further a universal purpose—fighting for an idea, as they call it.
Why was the Crusader braver than the pirate?
Because he fought, not for himself, but for the Cross.
What force was it that met him with a valor as reckless as his own?
The force of men who fought, not for themselves, but for Islam.
They took Spain from us, though we were fighting for our very hearths and homes; but when we, too, fought for that mighty idea, a Catholic Church, we swept them back to Africa.
THE DEVIL. [ironically] What! you a Catholic, Senor Don Juan!
A devotee!
My congratulations.
THE STATUE. [seriously] Come come! as a soldier, I can listen to nothing against the Church.
DON JUAN.
Have no fear, Commander: this idea of a Catholic Church will survive Islam, will survive the Cross, will survive even that vulgar pageant of incompetent schoolboyish gladiators which you call the Army.
THE STATUE.
Juan: you will force me to call you to account for this.
DON JUAN.