Agatha Christie Fullscreen The Big Four (1927)

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I'm due at the hospital now, but I'll come back this afternoon and make all arrangements about him.

It's too interesting a case to be lost sight of."

I explained Poirot's departure and the fact that I proposed to accompany him to Southampton.

"That's all right.

Leave the man here.

He won't get into mischief.

He's suffering from complete exhaustion.

Will probably sleep for eight hours on end.

I'll have a word with that excellent Mrs. Funnyface of yours, and tell her to keep an eye on him."

And Dr. Ridgeway bustled out with his usual celerity.

Poirot hastily completed his packing, with one eye on the clock.

"The time, it marches with a rapidity unbelievable.

Come now, Hastings, you cannot say that I have left you with nothing to do.

A most sensational problem.

The man from the unknown.

Who is he?

What is he?

Ah, sapristi, but I would give two years of my life to have this boat go tomorrow instead of today.

There is something here very curious - very interesting.

But one must have time - time.

It may be days - or even months - before he will be able to tell us what he came to tell."

"I'll do my best, Poirot," I assured him. "I'll try to be an efficient substitute."

"Yees."

His rejoinder struck me as being a shade doubtful.

I picked up the sheet of paper.

"If I were writing a story," I said lightly, "I should weave this in with your latest idiosyncrasy and call it The Mystery of the Big Four." I tapped the pencilled figures as I spoke.

And then I started, for our invalid, roused suddenly from his stupor, sat up in his chair and said clearly and distinctly:

"Li Chang Yen."

He had the look of a man suddenly awakened from sleep.

Poirot made a sign to me not to speak.

The man went on.

He spoke in a clear, high voice, and something in his enunciation made me feel that he was quoting from some written report or lecture.

"Li Chang Yen may be regarded as representing the brains of the Big Four.

He is the controlling and motive force.

I have designated him, therefore, as Number One.

Number Two is seldom mentioned by name.

He is represented by an 'S' with two lines through it - the sign for a dollar; also by two stripes and a star.

It may be conjectured, therefore, that he is an American subject, and that he represents the power of wealth.

There seems no doubt that Number Three is a woman, and her nationality French.

It is possible that she may be one of the sirens of the demi-monde, but nothing is known definitely.

Number Four -" His voice faltered and broke.

Poirot leant forward.

"Yes," he prompted eagerly. "Number Four?"

His eyes were fastened on the man's face.

Some over-mastering terror seemed to be gaining the day; the features were distorted and twisted.

"The destroyer," gasped the man.

Then, with a final convulsive movement, he fell back in a dead faint.

"Mon Dieu!" whispered Poirot, "I was right then.

I was right."

"You think -?"