THE GARNET BRACELET
Ludwig van Beethoven.
2 Son. (op.
2, No. 2)
Largo Appassionato
I
In mid August, before the new moon, there suddenly came a spell of bad weather, of the kind peculiar to the north coast of the Black Sea.
Dense, heavy fog lay on land and sea, and the huge lighthouse siren roared like a mad bull day and night.
Then a drizzle, as fine as water dust, fell steadily from morning to morning and turned the clayey roads and foot-paths into a thick mass of mud, in which carts and carriages would be bogged for a long time And then a fierce hurricane began to blow from the steppeland in the north-west; the tree-tops rocked and heaved like waves in a gale, and at night the iron roofing of houses rattled, as if someone in heavy boots were running over it; window-frames shook, doors banged, and there was a wild howling in the chimneys.
Several fishing boats lost their bearings at sea, and two of them did not come back; a week later the fishermen's corpses were washed ashore.
The inhabitants of a suburban seaside resort — mostly Greeks and Jews, life- loving and over-apprehensive like all Southerners — were hurrying back to town.
On the muddy highway an endless succession of drays dragged along, overloaded with mattresses, sofas, chests, chairs, wash-stands, samovars.
Through the blurred muslin of the drizzle, it was a pitiful and dismal sight — the wretched bag and baggage, which looked so shabby, so drab and beggarly; the maids and cooks sitting atop of the carts on soaked tarpaulin, holding irons, cans or baskets; the exhausted, panting horses which halted every now and again, their knees trembling, their flanks steaming; the draymen who swore huskily, wrapped in matting against the rain.
An even sorrier sight were the deserted houses, now bare, empty and spacious, with their ravaged flowerbeds, smashed panes, abandoned dogs and rubbish — cigarette ends, bits of paper, broken crockery, cartons, and medicine bottles.
But the weather changed abruptly in late August.
There came calm, cloudless days that were sunnier and mellower than they had been in July.
Autumn gossamer glinted like mica on the bristly yellow stubble in the dried fields.
The trees, restored to their quietude, were meekly shedding their leaves.
Princess Vera Nikolayevna Sheyina, wife of the marshal of nobility, had been unable to leave her villa because repairs were not yet finished at the town house.
And now she was overjoyed by the lovely days, the calm and solitude and pure air, the swallows twittering on the telegraph wires as they flocked together to fly south, and the caressing salty breeze that drifted gently from the sea.
II
Besides, that day — the seventeenth of September — was her birthday.
She had always loved it, associating it with remote, cherished memories of her childhood, and always expected it to bring on something wonderfully happy.
In the morning, before leaving for town on urgent business, her husband had put on her night-table a case with magnificent ear-rings of pear-shaped pearls, and the present added to her cheerful mood.
She was all alone in the house.
Her unmarried brother Nikolai, assistant public prosecutor, who usually lived with them, had also gone to town for a court hearing.
Her husband had promised to bring to dinner none but a few of their closest friends.
It was fortunate that her birthday was during the summer season, for in town they would have had to spend a good deal of money on a grand festive dinner, perhaps even a ball, while here in the country the expenses could be cut to a bare minimum.
Despite his prominence in society, or possibly because of it, Prince Sheyin could hardly make both ends meet.
The huge family estate had been almost ruined by his ancestors, while his position obliged him to live above his means: give receptions, engage in charity, dress well, keep horses, and so on.
Princess Vera, with whom the former passionate love for her husband had long ago toned down to a true, lasting friendship, spared no pains to help him ward off complete ruin.
Without his suspecting it she went without many things she wanted, and ran "the household as thriftily as she could.
She was now walking about the garden, carefully clipping off flowers for the dinner table.
The flower-beds, stripped almost bare, looked neglected.
The double carnations of various colours were past their best, and so were the stocks — half in bloom, half laden with thin green pods that smelled of cabbage; on the rose- bushes, blooming for the third time that summer, there were still a few undersized buds and flowers.
But then the dahlias, peonies and asters flaunted their haughty beauty, filling the hushed air with a grassy, sad autumnal scent.
The other flowers, whose season of luxurious love and over- fruitful maternity was over, were quietly dropping innumerable seeds of future life.
A three-tone motor-car horn sounded on the nearby highway, announcing that Anna Nikolayevna Friesse, Princess Vera's sister, was coming.
She had telephoned that morning to say that she would come and help about the house and to receive the guests.
Vera's keen ear had not betrayed her.
She went to *meet the arrival.
A few minutes later an elegant sedan drew up at the gate; the chauffeur jumped nimbly down „and flung the door open.
The two sisters kissed joyfully.
A warm affection had bound them together since early childhood.
They were strangely unlike each other in appearance.
The elder sister, Vera, resembled her mother, a beautiful Englishwoman; she had a tall, lithe figure, a delicate but cold and proud face, well-formed if rather large hands, and charmingly sloping shoulders such as you see in old miniatures.
The younger sister, Anna, had the Mongol features of her father, a Tatar prince, whose grandfather had not been christened until the early nineteenth century and whose forbears were descended from Tamerlane himself, or Timur Lenk, the Tatar name by which her father proudly called the great murderer.
Standing half a head shorter than her sister, she was rather broad-shouldered, lively and frivolous, and very fond of teasing people.
Her face, of a markedly Mongol cast — with prominent cheek-bones, narrow eyes which she, moreover, often screwed up because she was short-sighted, and a haughty expression about her small, sensuous mouth, especially its full, slightly protruding lower lip — had, nevertheless, an elusive and unaccountable fascination which lay perhaps in her smile, in the deeply feminine quality of all her features, or in her piquant, coquettish mimicry.
Her graceful lack of beauty excited and drew men's attention much more frequently and strongly than her sister's aristocratic loveliness.