Over her shoulder is a yoke staff, while at each end of the yoke is a large pail of milk; her face is not young, with a net of fine wrinkles on the temples and with two deep furrows from the nostrils to the corners of the mouth; but her cheeks are rosy, and, probably, hard to the touch, while her hazel eyes radiate a sprightly peasant smile.
From the movement of the heavy yoke and from the smooth walk her hips sway rhythmically now to the left, now to the right, and in their wave-like movements there is a coarse, sensual beauty.
“A mischievous dame, and she’s lived through a checkered life,” reflected Lichonin.
And suddenly, unexpectedly to himself, he had a feeling for, and irresistibly desired, this woman, altogether unknown to him, homely and not young; in all probability dirty and vulgar, but still resembling, as it seemed to him, a large Antonovka[17] apple which had fallen to the ground-somewhat bored by a worm, and which had lain just a wee bit too long, but which has still preserved its bright colour and its fragrant, winey aroma.
Getting ahead of her, an empty, black, funereal catafalque whirled by; with two horses in harness, and two tied behind to the little rear columns.
The torch-bearers and grave-diggers, already drunk since morning, with red, brutish faces, with rusty opera hats on their heads, were sitting in a disorderly heap on their uniform liveries, on the reticular horse-blankets, on the mourning lanterns; and with rusty, hoarse voices were roaring out some incoherent song.
“They must be hurrying to a funeral procession; or, perhaps, have even finished it already,” reflected Lichonin; “merry fellows!”
On the boulevard he came to a stop and sat down on a small wooden bench, painted green.
Two rows of mighty centenarian chestnuts went away into the distance, merging together somewhere afar into one straight green arrow.
The prickly large nuts were already hanging on the trees.
Lichonin suddenly recalled that at the very beginning of the spring he had been sitting on this very boulevard, and at this very same spot.
Then it had been a calm, gentle evening of smoky purple, soundlessly falling into slumber, just like a smiling, tired maiden.
Then the stalwart chestnuts, with their foliage— broad at the bottom and narrow toward the top— had been strewn all over with clusters of blossoms, growing with bright, rosy, thin cones straight to the sky; just as though some one by mistake had taken and fastened upon all the chestnuts, as upon lustres, pink Christmas-tree candles.
And suddenly, with extraordinary poignancy— every man sooner or later passes through this zone of inner emotion— Lichonin felt, that here are the nuts ripening already, while then there had been little pink blossoming candles, and that there would be many more springs and many blossoms, but the one which had passed no one and nothing had the power to bring back.
Sadly gazing into the depths of the retreating dense alley, he suddenly noticed that sentimental tears were making his eyes smart.
He got up and went on farther, looking closely at everything that he met with an incessant, sharpened, and at the same time calm attention, just as though he were looking at the God-created world for the first time.
A gang of stone masons went past him on the pavement, and all of them were reflected in his inner vision with an exaggerated vividness and brilliance of colour, just as though on the frosted glass of a camera obscura.
The foreman, with a red beard, matted to one side, and with blue austere eyes; and a tremendous young fellow, whose left eye was swollen, and who had a spot of a dark-blue colour spreading from the forehead to the cheekbone and from the nose to the temple; and a young boy with a naive, country face, with a gaping mouth like a fledgling’s, weak, moist; and an old man who, having come late, was running after the gang at a funny, goat-like trot; and their clothes, soiled with lime, their aprons and their chisels— all this flickered before him in an inanimate file— a colourful, motley, but dead cinematographic film.
He had to cut across the New Kishenevsky Market.
Suddenly the savoury, greasy odour of something roasted compelled him to distend his nostrils.
Lichonin recalled that he had not eaten anything since noon yesterday, and at once felt hunger.
He turned to the right, into the centre of the market.
In the days of his starvings— and he had had to experience them more than once— he would come here to the market, and for the pitiful coppers, gotten with difficulty, would buy himself bread and fried sausage.
This was in winter, oftenest of all.
The huckstress, wrapped up in a multiplicity of clothes, usually sat upon a pot of coals for warmth; while before her, on the iron dripping-pan, hissed and crackled the thick, home-made sausage, cut into pieces a quarter of a yard in length, plentifully seasoned with garlic.
A piece of sausage usually cost ten kopecks, the bread two kopecks.
There were very many folk at market to-day.
Even at a distance, edging his way to the familiar, loved stall, Lichonin heard the sounds of music.
Having made his way through the crowd, which in a solid ring surrounded one of the stalls, he saw a naive and endearing sight, which may be seen only in the blessed south of Russia.
Ten or fifteen huckstresses, during ordinary times gossips of evil tongue and addicted to unrestrainable swearing, inexhaustible in its verbal diversity, but now, evidently, flattering and tender cronies, had started celebrating even since last evening; had caroused the whole night through and now had carried their noisy merrymaking out to the market.
The hired musicians— two fiddles, a first and a second, and a tambourine— were strumming a monotonous but a lively, bold, daring and cunning tune.
Some of the wives were clinking glasses and kissing each other, pouring vodka over one another; others poured it out into glasses and over the tables; others still, clapping their palms in time with the music, oh’d, squealed, and danced, squatting in one place.
And in the middle of the ring, upon the cobbles of the pavement, a stout woman of about forty-five, but still handsome, with red, fleshy lips, with humid, intoxicated, seemingly unctuous eyes, merrily sparkling from under the high bows of black, regular, Little Russian eyebrows, was whirling around and stamping out a tattoo on one spot.
All the beauty and all the art of her dance consisted in that she would now bow her little head and look out provokingly from under her eyebrows, then suddenly toss it back and let her eyelashes down and spread her hands out at her sides; and also in that in measure with the dance her enormous breasts swayed and quivered under her red calico waist.
During the dance she was singing, now shuffling her heels, now the toes, of her goat-skin shoes:
“The fiddle’s playing on the street, You can hear its bass so sweet;
My mother has me locked up neat, My waitin’ dearie I can’t meet.”
That was the very country-wife whom Lichonin knew; the self-same who not only had had him for a client during hard times, but had even extended him credit.
She suddenly recognized Lichonin, darted to him, embraced him, squeezed him to her bosom and kissed him straight on his lips with her moist, warm, thick lips.
Then she spread her arms out wide, smote one palm against the other, intertwined her fingers, and sweetly, as only Podolian wives can do it, began to coo:
“My little master, my little silver gold trove, my lovie!
You forgive a drunken wife like me, now.
Well, what of it?
I’ve gone op a spree!” She then darted at him in an attempt to kiss his hand. “But then, I know you ain’t proud, like other gentry.
Well, give me your hand, dearie-dear; why, I want to kiss your little hand!
No, no, no!
I athk, I athk you! … ”
“Well, now, that’s nonsense, Aunt Glycera!” Linchonin interrupted her, unexpectedly becoming animated. “Let’s best kiss just so, now.
Your lips are just too sweet!”
“Ah, my little sweetheart!