How like a hero he looked, surrounded by his vile enemies!
Now I understand the Duchessa's passion: if he looks like that in distressing circumstances which may end in frightful disaster, what must he be like when his heart is happy!"
The governor's carriage waited for more than an hour and a half in the courtyard of the Palace, and yet, when the General returned from his interview with the Prince, Clelia by no means felt that he had stayed there too long.
"What is His Highness's will?" asked Clelia.
"His tongue said: Prison! His eyes: Death!"
"Deathl Great God!" exclaimed Clelia.
"There now, be quiet!" said the General crossly; "what a fool I am to answer a child's questions."
Meanwhile Fabrizio was climbing the three hundred and eighty steps which led to the Torre Farnese, a new prison built on the platform of the great tower, at a prodigious height from the ground.
He never once thought, distinctly that is to say, of the great change that had just occurred in his fortunes.
"What eyes!" he said to himself: "What a wealth of expression in them!
What profound pity!
She looked as though she were saying: 'Life is such a tangled skein of misfortunes!
Do not distress yourself too much about what is happening to you!
Are we not sent here below to be unhappy?' How those fine eyes of hers remained fastened on me, even when the horses were moving forward with such a clatter under the arch!"
Fabrizio completely forgot to feel wretched.
Clelia accompanied her father to various houses; in the early part of the evening no one had yet heard the news of the arrest of the great culprit, for such was the name which the courtiers bestowed a couple of hours later on this poor, rash young man.
It was noticed that evening that there was more animation than usual in Clelia's face; whereas animation, the air of taking part in what was going on round her, was just what was chiefly lacking in that charming young person.
When you compared her beauty with that of the Duchessa, it was precisely that air of not being moved by anything, that manner as though of a person superior to everything, which weighed down the balance in her rival's favour.
In England, in France, lands of vanity, the general opinion would probably have been just the opposite, Clelia Conti was a young girl still a trifle too slim, who might be compared to the beautiful models of Guido Reni. We make no attempt to conceal the fact that, according to Greek ideas of beauty, the objection might have been made that her head had certain features a trifle too strongly marked; the lips, for instance, though full of the most touching charm, were a little too substantial.
The admirable peculiarity of this face in which shone the artless graces and the heavenly imprint of the most noble soul was that, albeit of the rarest and most singular beauty, it did not in any way resemble the heads of Greek sculpture.
The Duchessa had, on the other hand, a little too much of the recognised beauty of the ideal type, and her truly Lombard head recalled the voluptuous smile and tender melancholy of Leonardo's lovely paintings of Herodias.
Just as the Duchessa shone, sparkled with wit and irony, attaching herself passionately, if one may use the expression, to all the subjects which the course of the conversation brought before her mind's eye, so Clelia showed herself calm and slow to move, whether from contempt for her natural surroundings or from regret for some unfulfilled dream.
It had long been thought that she would end by embracing the religious life.
At twenty she was observed to show a repugnance towards going to balls, and if she accompanied her father to these entertainments it was only out of obedience to him and in order not to jeopardise the interests of his career.
"It is apparently going to be impossible for me," the General in his vulgarity of spirit was too prone to repeat, "heaven having given me as a daughter the most beautiful person in the States of our Sovereign, and the most virtuous, to derive any benefit from her for the advancement of my fortune!
I live in too great isolation, I have only her in the world, and what I must absolutely have is a family that will support me socially, and will procure for me a certain number of houses where my merit, and especially my aptitude for ministerial office shall be laid down as unchallengeable postulates in any political discussion.
And there is my daughter, so beautiful, so sensible, so religious, taking offence whenever a young man well established at court attempts to find favour in her sight. If the suitor is dismissed, her character becomes less sombre, and I see her appear almost gay, until another champion enters the lists.
The handsomest man at court, Conte Baldi, presented himself and failed to please; the richest man in His Highness's States, the Marchese Crescenzi, has now followed him; she insists that he would make her miserable.
"Decidedly," the General would say at other times, "my daughter's eyes are finer than the Duchessa's, particularly as, on rare occasions, they are capable of assuming a more profound expression; but that magnificent expression, when does anyone ever see it?
Never in a drawing-room where she might do justice to it; but simply out driving alone with me, when she lets herself be moved, for instance, by the miserable state of some hideous rustic.
'Keep some reflexion of that sublime gaze,' I tell her at times, 'for the drawing-rooms in which we shall be appearing this evening.'
Not a bit of it: should she condescend to accompany me into society, her pure and noble features present the somewhat haughty and scarcely encouraging expression of passive obedience."
The General spared himself no trouble, as we can see, in his search for a suitable son-in-law, but what he said was true.
Courtiers, who have nothing to contemplate in their own hearts, notice every little thing that goes on round about them; they had observed that it was particularly on those days when Clelia could not succeed in making herself emerge from her precious musings and feign an interest in anything that the Duchessa chose to stop beside her and tried to make her talk, Clelia had hair of an ashen fairness, which stood out with a charming effect against cheeks that were delicately tinted but, as a rule, rather too pale.
The mere shape of her brow might have told an attentive observer that that air, so instinct with nobility, that manner, so far superior to vulgar charms, sprang from a profound indifference to everything that was vulgar.
It was the absence and not the impossibility of interest in anything.
Since her father had become governor of the citadel, Clelia had found happiness, or at least freedom from vexations in her lofty abode.
The appalling number of steps that had to be climbed in order to reach this official residence of the governor, situated on the platform of the main tower, kept away tedious visitors, and Clelia, for this material reason, enjoyed the liberty of the convent; she found there almost all the ideal of happiness which at one time she had thought of seeking from the religious life.
She was seized by a sort of horror at the mere thought of putting her beloved solitude and her secret thoughts at the disposal of a young man whom the title of husband would authorise to disturb all this inner life.
If, by her solitude, she did not attain to happiness, at least she had succeeded in avoiding sensations that were too painful.
On the evening after Fabrizio had been taken to the fortress, the Duchessa met Clelia at the party given by the Minister of the Interior, Conte Zurla; everyone gathered round them; that evening, Clelia's beauty outshone the Duchessa's.
The beautiful eyes of the girl wore an expression so singular and so profound as to be almost indiscreet; there was pity, there were indignation also and anger in her gaze.
The gaiety and brilliant ideas of the Duchessa seemed to plunge Clelia into spells of grief that bordered on horror.
"What will be the cries and groans of this poor woman," she said to herself, "when she learns that her lover, that young man with so great a heart and so noble a countenance, has just been flung into prison?
And that look in the Sovereign's eyes which condemns him to death!
O Absolute Power, when wilt thou cease to crush down Italy!
O base and venal souls!
And I am the daughter of a gaoler!
And I have done nothing to deny that noble station, for I did not deign to answer Fabrizio!
And once before he was my benefactor!