"What is your fault?"
"That he dislikes me so.
I said a brutal thing to him when we first met, that night at the Grassinis'."
"YOU said a brutal thing?
That's hard to believe, Madonna."
"It was unintentional, of course, and I was very sorry.
I said something about people laughing at cripples, and he took it personally.
It had never occurred to me to think of him as a cripple; he is not so badly deformed."
"Of course not.
He has one shoulder higher than the other, and his left arm is pretty badly disabled, but he's neither hunchbacked nor clubfooted.
As for his lameness, it isn't worth talking about."
"Anyway, he shivered all over and changed colour.
Of course it was horribly tactless of me, but it's odd he should be so sensitive.
I wonder if he has ever suffered from any cruel jokes of that kind."
"Much more likely to have perpetrated them, I should think.
There's a sort of internal brutality about that man, under all his fine manners, that is perfectly sickening to me."
"Now, Cesare, that's downright unfair.
I don't like him any more than you do, but what is the use of making him out worse than he is?
His manner is a little affected and irritating--I expect he has been too much lionized--and the everlasting smart speeches are dreadfully tiring; but I don't believe he means any harm."
"I don't know what he means, but there's something not clean about a man who sneers at everything.
It fairly disgusted me the other day at Fabrizi's debate to hear the way he cried down the reforms in Rome, just as if he wanted to find a foul motive for everything."
Gemma sighed.
"I am afraid I agreed better with him than with you on that point," she said. "All you good people are so full of the most delightful hopes and expectations; you are always ready to think that if one well-meaning middle-aged gentleman happens to get elected Pope, everything else will come right of itself. He has only got to throw open the prison doors and give his blessing to everybody all round, and we may expect the millennium within three months.
You never seem able to see that he can't set things right even if he would.
It's the principle of the thing that's wrong, not the behaviour of this man or that."
"What principle?
The temporal power of the Pope?"
"Why that in particular?
That's merely a part of the general wrong.
The bad principle is that any man should hold over another the power to bind and loose.
It's a false relationship to stand in towards one's fellows."
Martini held up his hands.
"That will do, Madonna," he said, laughing. "I am not going to discuss with you, once you begin talking rank Antinomianism in that fashion.
I'm sure your ancestors must have been English Levellers in the seventeenth century.
Besides, what I came round about is this MS."
He pulled it out of his pocket.
"Another new pamphlet?"
"A stupid thing this wretched man Rivarez sent in to yesterday's committee.
I knew we should come to loggerheads with him before long."
"What is the matter with it?
Honestly, Cesare, I think you are a little prejudiced.
Rivarez may be unpleasant, but he's not stupid."
"Oh, I don't deny that this is clever enough in its way; but you had better read the thing yourself."
The pamphlet was a skit on the wild enthusiasm over the new Pope with which Italy was still ringing.
Like all the Gadfly's writing, it was bitter and vindictive; but, notwithstanding her irritation at the style, Gemma could not help recognizing in her heart the justice of the criticism.
"I quite agree with you that it is detestably malicious," she said, laying down the manuscript. "But the worst thing about it is that it's all true."
"Gemma!"
"Yes, but it is.
The man's a cold-blooded eel, if you like; but he's got the truth on his side.
There is no use in our trying to persuade ourselves that this doesn't hit the mark--it does!"