Again the library of the Connage house. ROSALIND is alone, sitting on the lounge staring very moodily and unhappily at nothing.
She has changed perceptibly—she is a trifle thinner for one thing; the light in her eyes is not so bright; she looks easily a year older.
Her mother comes in, muffled in an opera-cloak.
She takes in ROSALIND with a nervous glance.
MRS. CONNAGE: Who is coming to-night?
(ROSALIND fails to hear her, at least takes no notice.)
MRS. CONNAGE: Alec is coming up to take me to this Barrie play,
“Et tu, Brutus.” (She perceives that she is talking to herself.) Rosalind!
I asked you who is coming to-night?
ROSALIND: (Starting) Oh—what—oh—Amory—
MRS. CONNAGE: (Sarcastically) You have so many admirers lately that I couldn’t imagine which one. (ROSALIND doesn’t answer.) Dawson Ryder is more patient than I thought he’d be.
You haven’t given him an evening this week.
ROSALIND: (With a very weary expression that is quite new to her face) Mother—please—
MRS. CONNAGE: Oh, I won’t interfere.
You’ve already wasted over two months on a theoretical genius who hasn’t a penny to his name, but go ahead, waste your life on him.
I won’t interfere.
ROSALIND: (As if repeating a tiresome lesson) You know he has a little income—and you know he’s earning thirty-five dollars a week in advertising—
MRS. CONNAGE: And it wouldn’t buy your clothes. (She pauses but ROSALIND makes no reply.) I have your best interests at heart when I tell you not to take a step you’ll spend your days regretting.
It’s not as if your father could help you.
Things have been hard for him lately and he’s an old man.
You’d be dependent absolutely on a dreamer, a nice, well-born boy, but a dreamer—merely clever. (She implies that this quality in itself is rather vicious.)
ROSALIND: For heaven’s sake, mother—
(A maid appears, announces Mr. Blaine who follows immediately. AMORY’S friends have been telling him for ten days that he “looks like the wrath of God, ” and he does.
As a matter of fact he has not been able to eat a mouthful in the last thirty-six hours.)
AMORY: Good evening, Mrs. Connage.
MRS. CONNAGE: (Not unkindly) Good evening, Amory.
(AMORY and ROSALIND exchange glances—and ALEC comes in. ALEC’S attitude throughout has been neutral.
He believes in his heart that the marriage would make AMORY mediocre and ROSALIND miserable, but he feels a great sympathy for both of them.)
ALEC: Hi, Amory!
AMORY: Hi, Alec!
Tom said he’d meet you at the theatre.
ALEC: Yeah, just saw him.
How’s the advertising to-day?
Write some brilliant copy?
AMORY: Oh, it’s about the same.
I got a raise—(Every one looks at him rather eagerly)—of two dollars a week. (General collapse)
MRS. CONNAGE: Come, Alec, I hear the car.
(A good night, rather chilly in sections.
After MRS. CONNAGE and ALEC go out there is a pause. ROSALIND still stares moodily at the fireplace. AMORY goes to her and puts his arm around her.)
AMORY: Darling girl. (They kiss.
Another pause and then she seizes his hand, covers it with kisses and holds it to her breast.)
ROSALIND: (Sadly) I love your hands, more than anything.
I see them often when you’re away from me—so tired; I know every line of them. Dear hands!
(Their eyes meet for a second and then she begins to cry—a tearless sobbing.)
AMORY: Rosalind!
ROSALIND: Oh, we’re so darned pitiful!
AMORY: Rosalind!
ROSALIND: Oh, I want to die!
AMORY: Rosalind, another night of this and I’ll go to pieces.
You’ve been this way four days now.