I got up and dropped some pennies on the floor when I put my pants on.
It was four in the afternoon; I used to sleep all the time in college.
"All right, all right, don't drop your gold all over the place.
I have found the gonest little girl in the world and I am going straight to the Lion's Den with her tonight."
And he dragged me to meet her.
A week later she was going with me.
Remi was a tall, dark, handsome Frenchman (he looked like a kind of Marseille black-marketeer of twenty); because he was French he had to talk in jazz American; his English was perfect, his French was perfect.
He liked to dress sharp, slightly on the collegiate side, and go out with fancy blondes and spend a lot of money.
It's not that he ever blamed me for taking off with his girl; it was only a point that always tied us together; that guy was loyal to me and had real affection for me, and God knows why.
When I found him in Mill City that morning he had fallen on the beat and evil days that come to young guys in their middle twenties.
He was hanging around waiting for a ship, and to earn his living he had a job as a special guard in the barracks across the canyon.
His girl Lee Ann had a bad tongue and gave him a calldown every day.
They spent all week saving pennies and went out Saturdays to spend fifty bucks in three hours.
Remi wore shorts around the shack, with a crazy Army cap on his head.
Lee Ann went around with her hair up in pincurls.
Thus attired, they yelled at each other all week.
1 never saw so many snarls in all my born days.
But on Saturday night, smiling graciously at each other, they took off like a pair of successful Hollywood characters and went on the town.
Remi woke up and saw me come in the window.
His great laugh, one of the greatest laughs in the world, dinned in my ear.
"Aaaaah Paradise, he comes in through the window, he follows instructions to a T.
Where have you been, you're two weeks late!"
He slapped me on the back, he punched Lee Ann in the ribs, he leaned on the wall and laughed and cried, he pounded the table so you could hear it everywhere in Mill City, and that great long "Aaaaah" resounded around the canyon.
"Paradise!" he screamed.
"The one and only indispensable Paradise."
I had just come through the little fishing village of Sausalito, and the first thing I said was,
"There must be a lot of Italians in Sausalito."
"There must be a lot of Italians in Sausalito!" he shouted at the top of his lungs.
"Aaaaah!"
He pounded himself, he fell on the bed, he almost rolled on the floor.
"Did you hear what Paradise said?
There must be a lot of Italians in Sausalito?
Aaaah-haaa!
Hoo!
Wow!
Wheel" He got red as a beet, laughing.
"Oh, you slay me, Paradise, you're the funniest man in the world, and here you are, you finally got here, he came in through the window, you saw him, Lee Ann, he followed instructions and came in through the window.
Aaah!
Hooo!"
The strange thing was that next door to Remi lived a Negro called Mr. Snow whose laugh, I swear on the Bible, was positively and finally the one greatest laugh in all this world.
This Mr. Snow began his laugh from the supper table when his old wife said something casual; he got up, apparently choking, leaned on the wall, looked up to heaven, and started; he staggered through the door, leaning on neighbors' walls; he was drunk with it, he reeled throughout Mill City in the shadows, raising his whooping triumphant call to the demon god that must have prodded him to do it.
I don't know if he ever finished supper.
There's a possibility that Remi, without knowing it, was picking up from this amazing man, Mr. Snow.
And though Remi was having worklife problems and bad lovelife with a sharp-tongued woman, he at least had learned to laugh almost better than anyone in the world, and I saw all the fun we were going to have in Frisco.
The pitch was this: Remi slept with Lee Ann in the bed across the room, and I slept in the cot by the window.
I was not to touch Lee Ann.
Remi at once made a speech concerning this.
"I don't want to find you two playing around when you think I'm not looking.
You can't teach the old maestro a new tune.
This is an original saying of mine."