Victor Hugo Fullscreen Notre Dame cathedral (1831)

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Clopin Trouillefou, on arriving in front of the lofty portal of Notre-Dame had, in fact, ranged his troops in order of battle.

Although he expected no resistance, he wished, like a prudent general, to preserve an order which would permit him to face, at need, a sudden attack of the watch or the police. He had accordingly stationed his brigade in such a manner that, viewed from above and from a distance, one would have pronounced it the Roman triangle of the battle of Ecnomus, the boar’s head of Alexander or the famous wedge of Gustavus Adolphus. The base of this triangle rested on the back of the Place in such a manner as to bar the entrance of the Rue du Parvis; one of its sides faced Hotel-Dieu, the other the Rue Saint-Pierre-aux-Boeufs. Clopin Trouillefou had placed himself at the apex with the Duke of Egypt, our friend Jehan, and the most daring of the scavengers.

An enterprise like that which the vagabonds were now undertaking against Notre-Dame was not a very rare thing in the cities of the Middle Ages.

What we now call the “police” did not exist then.

In populous cities, especially in capitals, there existed no single, central, regulating power.

Feudalism had constructed these great communities in a singular manner.

A city was an assembly of a thousand seigneuries, which divided it into compartments of all shapes and sizes.

Hence, a thousand conflicting establishments of police; that is to say, no police at all.

In Paris, for example, independently of the hundred and forty-one lords who laid claim to a manor, there were five and twenty who laid claim to a manor and to administering justice, from the Bishop of Paris, who had five hundred streets, to the Prior of Notre-Dame des Champs, who had four.

All these feudal justices recognized the suzerain authority of the king only in name.

All possessed the right of control over the roads.

All were at home.

Louis XI., that indefatigable worker, who so largely began the demolition of the feudal edifice, continued by Richelieu and Louis XIV. for the profit of royalty, and finished by Mirabeau for the benefit of the people,—Louis XI. had certainly made an effort to break this network of seignories which covered Paris, by throwing violently across them all two or three troops of general police.

Thus, in 1465, an order to the inhabitants to light candles in their windows at nightfall, and to shut up their dogs under penalty of death; in the same year, an order to close the streets in the evening with iron chains, and a prohibition to wear daggers or weapons of offence in the streets at night.

But in a very short time, all these efforts at communal legislation fell into abeyance.

The bourgeois permitted the wind to blow out their candles in the windows, and their dogs to stray; the iron chains were stretched only in a state of siege; the prohibition to wear daggers wrought no other changes than from the name of the Rue Coupe-Gueule to the name of the Rue-Coupe-Gorge which is an evident progress.

The old scaffolding of feudal jurisdictions remained standing; an immense aggregation of bailiwicks and seignories crossing each other all over the city, interfering with each other, entangled in one another, enmeshing each other, trespassing on each other; a useless thicket of watches, sub-watches and counter-watches, over which, with armed force, passed brigandage, rapine, and sedition.

Hence, in this disorder, deeds of violence on the part of the populace directed against a palace, a hotel, or house in the most thickly populated quarters, were not unheard-of occurrences.

In the majority of such cases, the neighbors did not meddle with the matter unless the pillaging extended to themselves.

They stopped up their ears to the musket shots, closed their shutters, barricaded their doors, allowed the matter to be concluded with or without the watch, and the next day it was said in Paris,

“Etienne Barbette was broken open last night.

The Marshal de Clermont was seized last night, etc.”

Hence, not only the royal habitations, the Louvre, the Palace, the Bastille, the Tournelles, but simply seignorial residences, the Petit-Bourbon, the Hotel de Sens, the Hotel d’ Angouleme, etc., had battlements on their walls, and machicolations over their doors.

Churches were guarded by their sanctity.

Some, among the number Notre-Dame, were fortified.

The Abbey of Saint-German-des-Pres was castellated like a baronial mansion, and more brass expended about it in bombards than in bells.

Its fortress was still to be seen in 1610. To-day, barely its church remains.

Let us return to Notre-Dame.

When the first arrangements were completed, and we must say, to the honor of vagabond discipline, that Clopin’s orders were executed in silence, and with admirable precision, the worthy chief of the band, mounted on the parapet of the church square, and raised his hoarse and surly voice, turning towards Notre-Dame, and brandishing his torch whose light, tossed by the wind, and veiled every moment by its own smoke, made the reddish facade of the church appear and disappear before the eye.

“To you, Louis de Beaumont, bishop of Paris, counsellor in the Court of Parliament, I, Clopin Trouillefou, king of Thunes, grand Coesre, prince of Argot, bishop of fools, I say: Our sister, falsely condemned for magic, hath taken refuge in your church, you owe her asylum and safety. Now the Court of Parliament wishes to seize her once more there, and you consent to it; so that she would be hanged to-morrow in the Greve, if God and the outcasts were not here.

If your church is sacred, so is our sister; if our sister is not sacred, neither is your church. That is why we call upon you to return the girl if you wish to save your church, or we will take possession of the girl again and pillage the church, which will be a good thing. In token of which I here plant my banner, and may God preserve you, bishop of Paris.”

Quasimodo could not, unfortunately, hear these words uttered with a sort of sombre and savage majesty.

A vagabond presented his banner to Clopin, who planted it solemnly between two paving-stones.

It was a pitchfork from whose points hung a bleeding quarter of carrion meat.

That done, the King of Thunes turned round and cast his eyes over his army, a fierce multitude whose glances flashed almost equally with their pikes.

After a momentary pause,—“Forward, my Sons!” he cried; “to work, locksmiths!”

Thirty bold men, square shouldered, and with pick-lock faces, stepped from the ranks, with hammers, pincers, and bars of iron on their shoulders.

They betook themselves to the principal door of the church, ascended the steps, and were soon to be seen squatting under the arch, working at the door with pincers and levers; a throng of vagabonds followed them to help or look on.

The eleven steps before the portal were covered with them.

But the door stood firm.

“The devil! ‘tis hard and obstinate!” said one.

“It is old, and its gristles have become bony,” said another.

“Courage, comrades!” resumed Clopin. “I wager my head against a dipper that you will have opened the door, rescued the girl, and despoiled the chief altar before a single beadle is awake.

Stay!

I think I hear the lock breaking up.”

Clopin was interrupted by a frightful uproar which re-sounded behind him at that moment.

He wheeled round.

An enormous beam had just fallen from above; it had crushed a dozen vagabonds on the pavement with the sound of a cannon, breaking in addition, legs here and there in the crowd of beggars, who sprang aside with cries of terror.

In a twinkling, the narrow precincts of the church parvis were cleared.

The locksmiths, although protected by the deep vaults of the portal, abandoned the door and Clopin himself retired to a respectful distance from the church.