Victor Hugo Fullscreen Notre Dame cathedral (1831)

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From the movement of the gypsy’s lips, Quasimodo thought that she was driving him away; then he rose and retired limping, slowly, with drooping head, without even daring to raise to the young girl his gaze full of despair.

“Do come,” she cried, but he continued to retreat.

Then she darted from her cell, ran to him, and grasped his arm.

On feeling her touch him, Quasimodo trembled in every limb.

He raised his suppliant eye, and seeing that she was leading him back to her quarters, his whole face beamed with joy and tenderness.

She tried to make him enter the cell; but he persisted in remaining on the threshold.

“No, no,” said he; “the owl enters not the nest of the lark.”

Then she crouched down gracefully on her couch, with her goat asleep at her feet.

Both remained motionless for several moments, considering in silence, she so much grace, he so much ugliness.

Every moment she discovered some fresh deformity in Quasimodo.

Her glance travelled from his knock knees to his humped back, from his humped back to his only eye.

She could not comprehend the existence of a being so awkwardly fashioned.

Yet there was so much sadness and so much gentleness spread over all this, that she began to become reconciled to it.

He was the first to break the silence.

“So you were telling me to return?”

She made an affirmative sign of the head, and said, “Yes.”

He understood the motion of the head.

“Alas!” he said, as though hesitating whether to finish, “I am—I am deaf.”

“Poor man!” exclaimed the Bohemian, with an expression of kindly pity.

He began to smile sadly.

“You think that that was all that I lacked, do you not?

Yes, I am deaf, that is the way I am made.

‘Tis horrible, is it not?

You are so beautiful!”

There lay in the accents of the wretched man so profound a consciousness of his misery, that she had not the strength to say a word.

Besides, he would not have heard her.

He went on,—

“Never have I seen my ugliness as at the present moment.

When I compare myself to you, I feel a very great pity for myself, poor unhappy monster that I am!

Tell me, I must look to you like a beast.

You, you are a ray of sunshine, a drop of dew, the song of a bird!

I am something frightful, neither man nor animal, I know not what, harder, more trampled under foot, and more unshapely than a pebble stone!”

Then he began to laugh, and that laugh was the most heartbreaking thing in the world.

He continued,— “Yes, I am deaf; but you shall talk to me by gestures, by signs.

I have a master who talks with me in that way.

And then, I shall very soon know your wish from the movement of your lips, from your look.”

“Well!” she interposed with a smile, “tell me why you saved me.”

He watched her attentively while she was speaking.

“I understand,” he replied. “You ask me why I saved you.

You have forgotten a wretch who tried to abduct you one night, a wretch to whom you rendered succor on the following day on their infamous pillory.

A drop of water and a little pity,—that is more than I can repay with my life.

You have forgotten that wretch; but he remembers it.”

She listened to him with profound tenderness.

A tear swam in the eye of the bellringer, but did not fall.

He seemed to make it a sort of point of honor to retain it.

“Listen,” he resumed, when he was no longer afraid that the tear would escape; “our towers here are very high, a man who should fall from them would be dead before touching the pavement; when it shall please you to have me fall, you will not have to utter even a word, a glance will suffice.”

Then he rose.

Unhappy as was the Bohemian, this eccentric being still aroused some compassion in her.

She made him a sign to remain.

“No, no,” said he; “I must not remain too long.