That is Julian's business—not mine.
Don't stand, Horace!
You fidget me.
Sit down."
Armed beforehand in her policy of silence, Lady Janet folded her handsome hands as usual, and waited for the proceedings to begin, like a judge on the bench.
"Will you take a chair?" Julian repeated, observing that the visitor appeared neither to heed nor to hear his first words of welcome to her.
At this second appeal she spoke to him.
"Is that Lady Janet Roy?" she asked, with her eyes fixed on the mistress of the house.
Julian answered, and drew back to watch the result.
The woman in the poor black garments changed her position for the first time.
She moved slowly across the room to the place at which Lady Janet was sitting, and addressed her respectfully with perfect self-possession of manner.
Her whole demeanor, from the moment when she had appeared at the door, had expressed—at once plainly and becomingly—confidence in the reception that awaited her.
"Almost the last words my father said to me on his death-bed," she began, "were words, madam, which told me to expect protection and kindness from you."
It was not Lady Janet's business to speak.
She listened with the blandest attention.
She waited with the most exasperating silence to hear more.
Grace Roseberry drew back a step—not intimidated—only mortified and surprised.
"Was my father wrong?" she asked, with a simple dignity of tone and manner which forced Lady Janet to abandon her policy of silence, in spite of herself.
"Who was your father?" she asked, coldly.
Grace Roseberry answered the question in a tone of stern surprise.
"Has the servant not given you my card?" she said.
"Don't you know my name?"
"Which of your names?" rejoined Lady Janet.
"I don't understand your ladyship."
"I will make myself understood.
You asked me if I knew your name.
I ask you, in return, which name it is?
The name on your card is
'Miss Roseberry.' The name marked on your clothes, when you were in the hospital, was
'Mercy Merrick.'"
The self-possession which Grace had maintained from the moment when she had entered the dining-room, seemed now, for the first time, to be on the point of failing her.
She turned, and looked appealingly at Julian, who had thus far kept his place apart, listening attentively.
"Surely," she said, "your friend, the consul, has told you in his letter about the mark on the clothes?"
Something of the girlish hesitation and timidity which had marked her demeanor at her interview with Mercy in the French cottage re-appeared in her tone and manner as she spoke those words.
The changes—mostly changes for the worse—wrought in her by the suffering through which she had passed since that time were now (for the moment) effaced.
All that was left of the better and simpler side of her character asserted itself in her brief appeal to Julian.
She had hitherto repelled him.
He began to feel a certain compassionate interest in her now.
"The consul has informed me of what you said to him," he answered, kindly.
"But, if you will take my advice, I recommend you to tell your story to Lady Janet in your own words."
Grace again addressed herself with submissive reluctance to Lady Janet.
"The clothes your ladyship speaks of," she said, "were the clothes of another woman.
The rain was pouring when the soldiers detained me on the frontier.
I had been exposed for hours to the weather—I was wet to the skin.
The clothes marked
'Mercy Merrick' were the clothes lent to me by Mercy Merrick herself while my own things were drying.
I was struck by the shell in those clothes.
I was carried away insensible in those clothes after the operation had been performed on me."
Lady Janet listened to perfection—and did no more.
She turned confidentially to Horace, and said to him, in her gracefully ironical way: