“Do you know who the man Ratchett really was, Mademoiselle?”
She nodded.
“Mrs. Hubbard has been telling everyone.”
“And what do you think of the Armstrong affair?”
“It was quite abominable,” said the girl crisply.
Poirot looked at her thoughtfully.
“You are travelling from Baghdad, I believe, Miss Debenham?”
“Yes.”
“ToLondon?”
“Yes.”
“What have you been doing in Baghdad?”
“I have been acting as governess to two children.”
“Are you returning to your post after your holiday?”
“I am not sure.”
“Why is that?”
“Baghdad is rather out of things.
I think I should prefer a post in London if I can hear of a suitable one.”
“I see.
I thought, perhaps, you might be going to be married.”
Miss Debenham did not reply.
She raised her eyes and looked Poirot full in the face.
The glance said plainly: “You are impertinent.”
“What is your opinion of the lady who shares your compartment – Miss Ohlsson?”
“She seems a pleasant, simple creature.”
“What colour is her dressing-gown?”
Mary Debenham stared. “A kind of brownish colour – natural wool.”
“Ah!
I may mention without indiscretion, I hope, that I noticed the colour of your dressing-gown on the way from Aleppo to Stamboul. A pale mauve, I believe.”
“Yes, that is right.”
“Have you any other dressing-gown, Mademoiselle?
A scarlet dressing-gown, for example?”
“No, that is not mine.”
Poirot leant forward. He was like a cat pouncing on a mouse.
“Whose, then?’
The girl drew back a little, startled.
“I don’t know. What do you mean?”
“You do not say,
‘No, I have no such thing.’
You say,
‘That is not mine.’ Meaning that such a thing does belong to someone else.”
She nodded.
“Somebody else on this train?”
‘Yes.”
“Whose is it?”
“I told you just now: I don’t know.
I woke up this morning about five o’clock with the feeling that the train had been standing still for a long time.
I opened the door and looked out into the corridor, thinking we might be at a station.
I saw someone in a scarlet kimono some way down the corridor.”
“And you don’t know who it was?
Was she fair, or dark, or grey-haired?”