Eliot George Fullscreen Middlemarch (1871)

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And I must say I think Mary Garth a dreadful plain girl—more fit for a governess."

"Every one would not agree with you there, mother," said Fred, who seemed to be able to read and listen too.

"Well, my dear," said Mrs. Vincy, wheeling skilfully, "if she had some fortune left her,—a man marries his wife's relations, and the Garths are so poor, and live in such a small way.

But I shall leave you to your studies, my dear; for I must go and do some shopping."

"Fred's studies are not very deep," said Rosamond, rising with her mamma, "he is only reading a novel."

"Well, well, by-and-by he'll go to his Latin and things," said Mrs. Vincy, soothingly, stroking her son's head.

"There's a fire in the smoking-room on purpose.

It's your father's wish, you know—Fred, my dear—and I always tell him you will be good, and go to college again to take your degree."

Fred drew his mother's hand down to his lips, but said nothing.

"I suppose you are not going out riding to-day?" said Rosamond, lingering a little after her mamma was gone.

"No; why?"

"Papa says I may have the chestnut to ride now."

"You can go with me to-morrow, if you like.

Only I am going to Stone Court, remember."

"I want to ride so much, it is indifferent to me where we go."

Rosamond really wished to go to Stone Court, of all other places.

"Oh, I say, Rosy," said Fred, as she was passing out of the room, "if you are going to the piano, let me come and play some airs with you."

"Pray do not ask me this morning."

"Why not this morning?"

"Really, Fred, I wish you would leave off playing the flute.

A man looks very silly playing the flute.

And you play so out of tune."

"When next any one makes love to you, Miss Rosamond, I will tell him how obliging you are."

"Why should you expect me to oblige you by hearing you play the flute, any more than I should expect you to oblige me by not playing it?"

"And why should you expect me to take you out riding?"

This question led to an adjustment, for Rosamond had set her mind on that particular ride.

So Fred was gratified with nearly an hour's practice of

"Ar hyd y nos,"

"Ye banks and braes," and other favorite airs from his

"Instructor on the Flute;" a wheezy performance, into which he threw much ambition and an irrepressible hopefulness.

CHAPTER XII.

"He had more tow on his distaffe

           Than Gerveis knew."

 —CHAUCER.

The ride to Stone Court, which Fred and Rosamond took the next morning, lay through a pretty bit of midland landscape, almost all meadows and pastures, with hedgerows still allowed to grow in bushy beauty and to spread out coral fruit for the birds.

Little details gave each field a particular physiognomy, dear to the eyes that have looked on them from childhood: the pool in the corner where the grasses were dank and trees leaned whisperingly; the great oak shadowing a bare place in mid-pasture; the high bank where the ash-trees grew; the sudden slope of the old marl-pit making a red background for the burdock; the huddled roofs and ricks of the homestead without a traceable way of approach; the gray gate and fences against the depths of the bordering wood; and the stray hovel, its old, old thatch full of mossy hills and valleys with wondrous modulations of light and shadow such as we travel far to see in later life, and see larger, but not more beautiful.

These are the things that make the gamut of joy in landscape to midland-bred souls—the things they toddled among, or perhaps learned by heart standing between their father's knees while he drove leisurely.

But the road, even the byroad, was excellent; for Lowick, as we have seen, was not a parish of muddy lanes and poor tenants; and it was into Lowick parish that Fred and Rosamond entered after a couple of miles' riding.

Another mile would bring them to Stone Court, and at the end of the first half, the house was already visible, looking as if it had been arrested in its growth toward a stone mansion by an unexpected budding of farm-buildings on its left flank, which had hindered it from becoming anything more than the substantial dwelling of a gentleman farmer.

It was not the less agreeable an object in the distance for the cluster of pinnacled corn-ricks which balanced the fine row of walnuts on the right.

Presently it was possible to discern something that might be a gig on the circular drive before the front door.

"Dear me," said Rosamond,

"I hope none of my uncle's horrible relations are there."

"They are, though.

That is Mrs. Waule's gig—the last yellow gig left, I should think.

When I see Mrs. Waule in it, I understand how yellow can have been worn for mourning.

That gig seems to me more funereal than a hearse.

But then Mrs. Waule always has black crape on.

How does she manage it, Rosy?

Her friends can't always be dying."