As the door closed behind her, she leaned against the wall and put one hand across her face.
Then, in a moment, she went down to her pots again.
Frantically, angrily, with twitching limbs they demanded calm and steady nerves from one another; they insisted that they keep away from the sick-room — but, as if drawn by some terrible magnet, they found themselves again and again outside the door, listening, on tiptoe, with caught breath, with an insatiate thirst for horror, to the hoarse noise of his gasping as he strove to force air down into his strangled and cemented lungs.
And eagerly, jealously, they sought entrance to the room, waiting their turn for carrying water, towels, supplies.
Mrs. Pert, from her refuge in the boarding-house across the street, called Helen on the phone each half-hour, and the girl talked to her while Eliza came from the kitchen into the hall, and stood, hands folded, lips pursed, with eyes that sparkled with her hate.
The girl cried and laughed as she talked.
“Well . . . that’s all right, Fatty. . . . You know how I feel about it. . . . I’ve always said that if he had one true friend in the world, it’s you . . . and don’t think we’re ALL ungrateful for what you’ve done . . . .”
During the pauses, Eugene could hear the voice of the other woman across the wires, sobbing.
And Eliza said, grimly:
“If she calls up again you let me talk to her. I’ll fix her!”
“Good heavens, mama!” Helen cried angrily.
“You’ve done enough already.
You drove her out of the house when she’d done more for him than all his family put together.”
Her big strained features worked convulsively.
“Why, it’s ridiculous!”
Within Eugene, as he paced restlessly up and down the hall or prowled through the house a-search for some entrance he had never found, a bright and stricken thing kept twisting about like a trapped bird.
This bright thing, the core of him, his Stranger, kept twisting its head about, unable to look at horror, until at length it gazed steadfastly, as if under a dreadful hypnosis, into the eyes of death and darkness.
And his soul plunged downward, drowning in that deep pit: he felt that he could never again escape from this smothering flood of pain and ugliness, from the eclipsing horror and pity of it all.
And as he walked, he twisted his own neck about, and beat the air with his arm like a wing, as if he had received a blow in his kidneys.
He felt that he might be clean and free if he could only escape into a single burning passion — hard, and hot, and glittering — of love, hatred, terror, or disgust.
But he was caught, he was strangling, in the web of futility — there was no moment of hate that was not touched by a dozen shafts of pity: impotently, he wanted to seize them, cuff them, shake them, as one might a trying brat, and at the same time to caress them, love them, comfort them.
As he thought of the dying boy upstairs, the messy ugliness of it — as they stood whimpering by while he strangled — choked him with fury and horror.
The old fantasy of his childhood came back to him: he remembered his hatred of the semi-private bathroom, his messy discomfort while he sat at stool and stared at the tub filled with dirty wash, sloppily puffed and ballooned by cold gray soapy water.
He thought of this as Ben lay dying.
Their hopes revived strongly in the forenoon when word came to them that the patient’s temperature was lower, his pulse stronger, the congestion of the lungs slightly relieved.
But at one o’clock, after a fit of coughing, he grew delirious, his temperature mounted, he had increasing difficulty in getting his breath.
Eugene and Luke raced to Wood’s pharmacy in Hugh Barton’s car, for an oxygen tank.
When they returned, Ben had almost choked to death.
Quickly they carried the tank into the room, and placed it near his head.
Bessie Gant seized the cone, and started to put it over Ben’s mouth, commanding him to breathe it in.
He fought it away tigerishly: curtly the nurse commanded Eugene to seize his hands.
Eugene gripped Ben’s hot wrists: his heart turned rotten.
Ben rose wildly from his pillows, wrenching like a child to get his hands free, gasping horribly, his eyes wild with terror:
“No!
No!
‘Gene!
‘Gene!
No!
No!”
Eugene caved in, releasing him and turning way, white-faced, from the accusing fear of the bright dying eyes.
Others held him.
He was given temporary relief.
Then he became delirious again.
By four o’clock it was apparent that death was near.
Ben had brief periods of consciousness, unconsciousness, and delirium — but most of the time he was delirious.
His breathing was easier, he hummed snatches of popular songs, some old and forgotten, called up now from the lost and secret adyts of his childhood; but always he returned, in his quiet humming voice, to a popular song of war-time — cheap, sentimental, but now tragically moving:
“Just a Baby’s Prayer at Twilight,”
“ . . . when lights are low.
Poor baby’s years”
Helen entered the darkening room.