So reentering his runabout he drove swiftly to the Butler home.
When he arrived there the famous contractor was at dinner.
He had not heard the calling of the extras, and of course, did not understand as yet the significance of the fire.
The servant's announcement of Cowperwood brought him smiling to the door.
"Won't you come in and join us? We're just havin' a light supper.
Have a cup of coffee or tea, now—do."
"I can't," replied Cowperwood.
"Not to-night, I'm in too much of a hurry.
I want to see you for just a few moments, and then I'll be off again.
I won't keep you very long."
"Why, if that's the case, I'll come right out."
And Butler returned to the dining-room to put down his napkin.
Aileen, who was also dining, had heard Cowperwood's voice, and was on the qui vive to see him.
She wondered what it was that brought him at this time of night to see her father.
She could not leave the table at once, but hoped to before he went.
Cowperwood was thinking of her, even in the face of this impending storm, as he was of his wife, and many other things.
If his affairs came down in a heap it would go hard with those attached to him.
In this first clouding of disaster, he could not tell how things would eventuate.
He meditated on this desperately, but he was not panic-stricken.
His naturally even-molded face was set in fine, classic lines; his eyes were as hard as chilled steel.
"Well, now," exclaimed Butler, returning, his countenance manifesting a decidedly comfortable relationship with the world as at present constituted.
"What's up with you to-night?
Nawthin' wrong, I hope.
It's been too fine a day."
"Nothing very serious, I hope myself," replied Cowperwood,
"But I want to talk with you a few minutes, anyhow.
Don't you think we had better go up to your room?"
"I was just going to say that," replied Butler—"the cigars are up there."
They started from the reception-room to the stairs, Butler preceding and as the contractor mounted, Aileen came out from the dining-room in a frou-frou of silk.
Her splendid hair was drawn up from the base of the neck and the line of the forehead into some quaint convolutions which constituted a reddish-gold crown.
Her complexion was glowing, and her bare arms and shoulders shone white against the dark red of her evening gown.
She realized there was something wrong.
"Oh, Mr. Cowperwood, how do you do?" she exclaimed, coming forward and holding out her hand as her father went on upstairs.
She was delaying him deliberately in order to have a word with him and this bold acting was for the benefit of the others.
"What's the trouble, honey?" she whispered, as soon as her father was out of hearing.
"You look worried."
"Nothing much, I hope, sweet," he said.
"Chicago is burning up and there's going to be trouble to-morrow.
I have to talk to your father."
She had time only for a sympathetic, distressed "Oh," before he withdrew his hand and followed Butler upstairs.
She squeezed his arm, and went through the reception-room to the parlor.
She sat down, thinking, for never before had she seen Cowperwood's face wearing such an expression of stern, disturbed calculation.
It was placid, like fine, white wax, and quite as cold; and those deep, vague, inscrutable eyes!
So Chicago was burning.
What would happen to him?
Was he very much involved?
He had never told her in detail of his affairs. She would not have understood fully any more than would have Mrs. Cowperwood.
But she was worried, nevertheless, because it was her Frank, and because she was bound to him by what to her seemed indissoluble ties.
Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men.
The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal.