Jules Verne Fullscreen Fifteen-year-old captain (1878)

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His whole breast was zebraed with white marks, done with pipe clay.

The lower part of his body disappeared under an ample skirt of grass stuff, the "train" of which would not have disgraced a modern elegant.

A collar of birds' skulls was round his neck; on his head was a sort of leathern helmet, with plumes ornamented with pearls; around his loins a copper belt, to which hung several hundred bells, noisier than the sonorous harness of a Spanish mule: thus this magnificent specimen of the corporation of native wizards was dressed.

All the material of his art was comprised in a kind of basket, of which a calebash formed the bottom, and which was filled with shells, amulets, little wooden idols, and other fetiches, plus a notable quantity of dung balls, important accessories to the incantations and divinatory practises of the center of Africa.

One peculiarity was soon discovered by the crowd. This magician was dumb.

But this infirmity could only increase the consideration with which they were disposed to surround him.

He only made a guttural sound, low and languid, which had no signification.

The more reason for being well skilled in the mysteries of witchcraft.

The magician first made the tour of the great place, executing a kind of dance which put in motion all his chime of bells.

The crowd followed, imitating his movements—it might be said, as a troop of monkeys following a gigantic, four-handed animal.

Then, suddenly, the sorcerer, treading the principal street of Kazounde, went toward the royal residence.

As soon as Queen Moini had been informed of the arrival of the new wizard, she appeared, followed by her courtiers.

The magician bowed to the ground, and lifted up his head again, showing his superb height.

His arms were then extended toward the sky, which was rapidly furrowed by masses of clouds.

The sorcerer pointed to those clouds with his hand; he imitated their movements in an animated pantomime.

He showed them fleeing to the west, but returning to the east by a rotary movement that no power could stop.

Then, suddenly, to the great surprise of the town and the court, this sorcerer took the redoubtable sovereign of Kazounde by the hand.

A few courtiers wished to oppose this act, which was contrary to all etiquette; but the strong magician, seizing the nearest by the nape of the neck, sent him staggering fifteen paces off.

The queen did not appear to disapprove of this proud manner of acting.

A sort of grimace, which ought to be a smile, was addressed to the wizard, who drew the queen on with rapid steps, while the crowd rushed after him.

This time it was toward Alvez's establishment that the sorcerer directed his steps.

He soon reached the door, which was shut.

A simple blow from his shoulder threw it to the ground, and he led the conquered queen into the interior of the factory.

The trader, his soldiers and his slaves, ran to punish the daring being who took it upon himself to throw down doors without waiting for them to be opened to him.

Suddenly, seeing that their sovereign did not protest, they stood still, in a respectful attitude.

No doubt Alvez was about to ask the queen why he was honored by her visit, but the magician did not give him time.

Making the crowd recede so as to leave a large space free around him, he recommenced his pantomime with still greater animation.

He pointed to the clouds, he threatened them, he exorcised them; he made a sign as if he could first stop them, and then scatter them. His enormous cheeks were puffed out, and he blew on this mass of heavy vapors as if he had the strength to disperse them.

Then, standing upright, he seemed to intend stopping them in their course, and one would have said that, owing to his gigantic height, he could have seized them.

The superstitious Moini, "overcome" by the acting of this tall comedian, could no longer control herself. Cries escaped her. She raved in her turn, and instinctively repeated the magician's gestures.

The courtiers and the crowd followed her example, and the mute's guttural sounds were lost amid those songs; cries, and yells which the native language furnishes with so much prodigality.

Did the clouds cease to rise on the eastern horizon and veil the tropical sun?

Did they vanish before the exorcisms of this new wizard?

No.

And just at this moment, when the queen and her people imagined that they had appeased the evil spirits that had watered them with so many showers, the sky, somewhat clear since daybreak, became darker than ever. Large drops of rain fell pattering on the ground.

Then a sudden change took place in the crowd.

They then saw that this sorcerer was worth no more than the others.

The queen's brows were frowning. They understood that he at least was in danger of losing his ears.

The natives had contracted the circle around him; fists threatened him, and they were about to punish him, when an unforeseen incident changed the object of their evil intentions.

The magician, who overlooked the whole yelling crowd, stretched his arms toward one spot in the enclosure.

The gesture was so imperious that all turned to look at it.

Mrs. Weldon and little Jack, attracted by the noise and the clamor, had just left their hut.

The magician, with an angry gesture, had pointed to them with his left hand, while his right was raised toward the sky.

They! it was they'!

It was this white woman—it was her child—they were causing all this evil.

They had brought these clouds from their rainy country, to inundate the territories of Kazounde.

It was at once understood.

Queen Moini, pointing to Mrs. Weldon, made a threatening gesture.

The natives, uttering still more terrible cries, rushed toward her.

Mrs. Weldon thought herself lost, and clasping her son in her arms, she stood motionless as a statue before this over-excited crowd.