Well, I have not intercepted your confidence, and yet I know all that as well as you, and I have no conscientious scruples.
No, it does not concern me.
You say an exterminating angel appears to have devoted that house to God's anger--well, who says your supposition is not reality?
Do not notice things which those whose interest it is to see them pass over.
If it is God's justice, instead of his anger, which is walking through that house, Maximilian, turn away your face and let his justice accomplish its purpose."
Morrel shuddered.
There was something mournful, solemn, and terrible in the count's manner.
"Besides," continued he, in so changed a tone that no one would have supposed it was the same person speaking--"besides, who says that it will begin again?"
"It has returned, count," exclaimed Morrel; "that is why I hastened to you."
"Well, what do you wish me to do?
Do you wish me, for instance, to give information to the procureur?"
Monte Cristo uttered the last words with so much meaning that Morrel, starting up, cried out,
"You know of whom I speak, count, do you not?"
"Perfectly well, my good friend; and I will prove it to you by putting the dots to the 'i,' or rather by naming the persons.
You were walking one evening in M. de Villefort's garden; from what you relate, I suppose it to have been the evening of Madame de Saint-Meran's death.
You heard M. de Villefort talking to M. d'Avrigny about the death of M. de Saint-Meran, and that no less surprising, of the countess.
M. d'Avrigny said he believed they both proceeded from poison; and you, honest man, have ever since been asking your heart and sounding your conscience to know if you ought to expose or conceal this secret.
Why do you torment them?
'Conscience, what hast thou to do with me?' as Sterne said.
My dear fellow, let them sleep on, if they are asleep; let them grow pale in their drowsiness, if they are disposed to do so, and pray do you remain in peace, who have no remorse to disturb you."
Deep grief was depicted on Morrel's features; he seized Monte Cristo's hand.
"But it is beginning again, I say!"
"Well," said the Count, astonished at his perseverance, which he could not understand, and looking still more earnestly at Maximilian, "let it begin again,--it is like the house of the Atreidae; [*] God has condemned them, and they must submit to their punishment. They will all disappear, like the fabrics children build with cards, and which fall, one by one, under the breath of their builder, even if there are two hundred of them.
Three months since it was M. de Saint-Meran; Madame de Saint-Meran two months since; the other day it was Barrois; to-day, the old Noirtier, or young Valentine." * In the old Greek legend the Atreidae, or children of Atreus, were doomed to punishment because of the abominable crime of their father. The Agamemnon of Aeschylus is based on this legend.
"You knew it?" cried Morrel, in such a paroxysm of terror that Monte Cristo started,--he whom the falling heavens would have found unmoved; "you knew it, and said nothing?"
"And what is it to me?" replied Monte Cristo, shrugging his shoulders; "do I know those people? and must I lose the one to save the other?
Faith, no, for between the culprit and the victim I have no choice."
"But I," cried Morrel, groaning with sorrow, "I love her!"
"You love?--whom?" cried Monte Cristo, starting to his feet, and seizing the two hands which Morrel was raising towards heaven.
"I love most fondly--I love madly--I love as a man who would give his life-blood to spare her a tear--I love Valentine de Villefort, who is being murdered at this moment!
Do you understand me?
I love her; and I ask God and you how I can save her?"
Monte Cristo uttered a cry which those only can conceive who have heard the roar of a wounded lion.
"Unhappy man," cried he, wringing his hands in his turn; "you love Valentine,--that daughter of an accursed race!"
Never had Morrel witnessed such an expression--never had so terrible an eye flashed before his face--never had the genius of terror he had so often seen, either on the battle-field or in the murderous nights of Algeria, shaken around him more dreadful fire.
He drew back terrified.
As for Monte Cristo, after this ebullition he closed his eyes as if dazzled by internal light. In a moment he restrained himself so powerfully that the tempestuous heaving of his breast subsided, as turbulent and foaming waves yield to the sun's genial influence when the cloud has passed.
This silence, self-control, and struggle lasted about twenty seconds, then the count raised his pallid face.
"See," said he, "my dear friend, how God punishes the most thoughtless and unfeeling men for their indifference, by presenting dreadful scenes to their view.
I, who was looking on, an eager and curious spectator,--I, who was watching the working of this mournful tragedy,--I, who like a wicked angel was laughing at the evil men committed protected by secrecy (a secret is easily kept by the rich and powerful), I am in my turn bitten by the serpent whose tortuous course I was watching, and bitten to the heart!"
Morrel groaned.
"Come, come," continued the count, "complaints are unavailing, be a man, be strong, be full of hope, for I am here and will watch over you."
Morrel shook his head sorrowfully.
"I tell you to hope. Do you understand me?" cried Monte Cristo. "Remember that I never uttered a falsehood and am never deceived.
It is twelve o'clock, Maximilian; thank heaven that you came at noon rather than in the evening, or to-morrow morning.
Listen, Morrel--it is noon; if Valentine is not now dead, she will not die."
"How so?" cried Morrel, "when I left her dying?"
Monte Cristo pressed his hands to his forehead.
What was passing in that brain, so loaded with dreadful secrets?
What does the angel of light or the angel of darkness say to that mind, at once implacable and generous?