George Bartlett's Adam's apple jerked convulsively up and down.
"Been trying to think.
Had it before lunch yesterday.
Was going for a spin in the afternoon. But somehow - you know how it is - went to sleep instead.
Then, after tea, had a game of squash and all that, and a bath afterward."
"And the car was then in the courtyard of the hotel?"
"Suppose so. I mean, that's where I'd put it.
Thought, you see, I'd take someone for a spin. After dinner, I mean. But it wasn't my lucky evening. Nothing doing.
Never took the old bus out after all."
Harper said, "But as far as you knew, the car was still in the courtyard?"
"Well, naturally.
I mean, I'd put it there, what?"
"Would you have noticed if it had not been there?"
Mr Bartlett shook his head.
"Don't think so, you know.
Lot of cars going and coming and all that. Plenty of Minoans."
Superintendent Harper nodded.
He had just cast a casual glance out of the window. There were at that moment no fewer than eight Minoan 14's in the courtyard.
It was the popular cheap car of the year.
"Aren't you in the habit of putting your car away at night?" asked Colonel Melchett.
"Don't usually bother," said Mr Bartlett.
"Fine weather and all that, you know.
Such a fag putting a car away in a garage."
Glancing at Colonel Melchett, Superintendent Harper said,
"I'll join you upstairs, sir.
I'll just get hold of Sergeant Higgins and he can take down particulars from Mr Bartlett."
"Right, Harper."
Mr Bartlett murmured wistfully,
"Thought I ought to let you know, you know. Might be important, what?"
Chapter 20
Mr Prestcott had supplied his additional dancer with board and lodging.
Whatever the board, the lodging was the poorest the hotel possessed.
Josephine Turner and Ruby Keene had occupied rooms at the extreme end of a mean and dingy little corridor.
The rooms were small, faced north onto a portion of the cliff that backed the hotel, and were furnished with the odds and ends of suites that had once represented luxury and magnificence in the best suites.
Now, when the hotel had been modernized and the bedrooms supplied with built-in receptacles for clothes, these large Victorian oak and mahogany wardrobes were relegated to those rooms occupied by the hotel's resident staff, or given to guests in the height of the season when all the rest of the hotel was full.
As Melchett and Harper saw at once, the position of Ruby Keene's room was ideal for the purpose of leaving the hotel without being observed, and was particularly unfortunate from the point of view of throwing light on the circumstances of that departure.
At the end of the corridor was a small staircase which led down to an equally obscure corridor on the ground floor. Here there was a glass door which led out on the side terrace of the hotel, an unfrequented terrace with no view.
You could go from it to the main terrace in front, or you could go down a winding path and come out in a lane that eventually rejoined the cliff road. Its surface being bad, it was seldom used.
Inspector Slack had been busy harrying chambermaids and examining Ruby's room for clues. They had been lucky enough to find the room exactly as it had been left the night before.
Ruby Keene had not been in the habit of rising early. Her usual procedure, Slack discovered, was to sleep until about ten or half past and then ring for breakfast.
Consequently, since Conway Jefferson had begun his representations to the manager very early, the police had taken charge of things before the chambermaids had touched the room.
They had actually not been down that corridor at all. The other rooms there, at this season of the year, were opened and dusted only once a week.
"That's all to the good, as far as it goes," Slack explained. "It means that if there were anything to find, we'd find it, but there isn't anything."
The denshire police had already been over the room for fingerprints, but there were none unaccounted for.
Ruby's own, Josie's, and the two chambermaids', one on the morning and one on the evening shift.
There were also a couple of prints made by Raymond Starr, but these were accounted for by his story that he had come up with Josie to look for Ruby when she did not appear for the midnight exhibition dance.
There had been a heap of letters and general rubbish in the pigeonholes of the massive mahogany desk in the corner.
Slack had just been carefully sorting through them, but he had found nothing of a suggestive nature.
Bills, receipts, theatre programs, cinema stubs, newspaper cuttings, beauty hints torn from magazines.
Of the letters, there were some from Lil, apparently a friend from the Palais de Danse, recounting various affairs and gossip, saying they "missed Rube a lot.