“Do you like music, Princess?” he asked, when they got into a taxi.
He did not quite know what to call her.
Even though she was a prostitute, he felt it would be rude, with her rank, on so short an acquaintance to call her Olga, and if she had been reduced to so humiliating a position by the stress of circumstances it behoved him all the more to treat her with respect.
“I’m not a princess, you know, and my name isn’t Olga.
They call me that at the Serail because it flatters the clients to think they are going to bed with a princess and they call me Olga because it’s the only Russian name they know besides Sasha.
My father was a professor of economics at the University at Leningrad and my mother was the daughter of a customs official.”
“What is your name then?”
“Lydia.”
They arrived just as the Mass was beginning.
There were crowds of people and no chance of getting a seat.
It was bitterly cold and Charley asked her if she would like his coat.
She shook her head without answering.
The aisles were lit by naked electric globes and they threw harsh beams on the vaulting, the columns and the dark throng of worshippers.
The choir was brilliantly lit.
They found a place by a column where, protected by its shadow, they could feel themselves isolated.
There was an orchestra on a raised platform.
At the altar were priests in splendid vestments.
The music seemed to Charley somewhat florid, and he listened to it with a faint sense of disappointment.
It did not move him as he had expected it would and the soloists, with their metallic, operatic voices, left him cold.
He had a feeling that he was listening to a performance rather than attending a religious ceremony, and it excited in him no sensation of reverence.
But for all that he was glad to have come.
The darkness into which the light from the electric globes cut like a bright knife, making the Gothic lines grimmer; the soft brilliance of the altar, with its multitude of candles, with the priests performing actions whose meaning was unknown to him; the silent crowd that seemed not to participate but to wait anxiously like a crowd at a station barrier waiting for the gate to open; the stench of wet clothes and the aromatic perfume of incense; the bitter cold that lowered like a threatening unseen presence; it was not a religious emotion that he got from all this, but the sense of a mystery that had its roots far back in the origins of the human race.
His nerves were taut, and when on a sudden the choir to the full accompaniment of the orchestra burst with a great shout into the Adeste Fideles he was seized with an exultation over he knew not what.
Then a boy sang a canticle; the thin, silvery voice rose in the silence and the notes trickled, with a curious little hesitation at first, as though the singer were not quite sure of himself, trickled like water crystal-clear trickling over the white stones of a brook; and then, the singer gathering assurance, the sounds were caught up, as though by great dark hands, and borne into the intricate curves of the arches and up to the night of the vaulted roof.
Suddenly Charley was conscious that the girl by his side, Lydia, was crying.
It gave him a bit of a turn, but with his polite English reticence he pretended not to notice; he thought that the dark church and the pure sound of the boy’s voice had filled her with a sudden sense of shame.
He was an imaginative youth and he had read many novels.
He could guess, he fancied, what she was feeling and he was seized with a great pity for her.
He found it curious, however, that she should be so moved by music that was not of the best quality.
But now she began to be shaken by heavy sobs and he could pretend no longer that he did not know she was in trouble.
He put out a hand and took hers, thinking to offer her thus the comfort of his sympathy, but she snatched away her hand almost roughly.
He began to be embarrassed.
She was now crying so violently that the bystanders could not but notice it.
She was making an exhibition of herself and he went hot with shame.
“Would you like to go out?” he whispered.
She shook her head angrily.
Her sobbing grew more and more convulsive and suddenly she sank down on her knees and, burying her face in her hands, gave herself up to uncontrolled weeping.
She was heaped up on herself strangely, like a bundle of cast-off clothes, and except for the quivering shoulders you would have thought her in a dead faint.
She lay crouched at the foot of the tall pillar, and Charley, miserably self-conscious, stood in front of her trying to protect her from view.
He saw a number of persons cast curious glances at her and then at him.
It made him angry to think what they must suppose.
The musicians were hushed, the choir was mute, and the silence had a thrilling quality of awe.
Communicants, serried row upon row, pressed up to the altar steps to take in their mouths the Sacred Host that the priest offered them.
Charley’s delicacy prevented him from looking at Lydia and he kept his eyes fixed on the bright-lit chancel.
But when she raised herself a little he was conscious of her movement.
She turned to the pillar and putting her arm against it hid her face in the crook of her elbow.
The passion of her weeping had exhausted her, but the way in which she now sprawled, leaning against the hard stone, her bent legs on the stone paving, expressed such a hopelessness of woe that it was even more intolerable than to see her crushed and bowed on the floor like a person thrown into an unnatural attitude by a violent death.
The service reached its close.
The organ joined with the orchestra for the voluntary, and an increasing stream of people, anxious to get to their cars or to find taxis, streamed to the doors.
Then it was finished, and a great throng swept down the length of the church.