Everything he saw from the carriage window, everything in that cold pure air, in the pale light of the sunset, was as fresh, and gay, and strong as he was himself: the roofs of the houses shining in the rays of the setting sun, the sharp outlines of fences and angles of buildings, the figures of passers-by, the carriages that met him now and then, the motionless green of the trees and grass, the fields with evenly drawn furrows of potatoes, and the slanting shadows that fell from the houses, and trees, and bushes, and even from the rows of potatoes--everything was bright like a pretty landscape just finished and freshly varnished.
"Get on, get on!" he said to the driver, putting his head out of the window, and pulling a three-rouble note out of his pocket he handed it to the man as he looked round.
The driver's hand fumbled with something at the lamp, the whip cracked, and the carriage rolled rapidly along the smooth highroad.
"I want nothing, nothing but this happiness," he thought, staring at the bone button of the bell in the space between the windows, and picturing to himself Anna just as he had seen her last time. "And as I go on, I love her more and more.
Here's the garden of the Vrede Villa.
Whereabouts will she be?
Where?
How?
Why did she fix on this place to meet me, and why does she write in Betsy's letter?" he thought, wondering now for the first time at it. But there was now no time for wonder.
He called to the driver to stop before reaching the avenue, and opening the door, jumped out of the carriage as it was moving, and went into the avenue that led up to the house.
There was no one in the avenue; but looking round to the right he caught sight of her.
Her face was hidden by a veil, but he drank in with glad eyes the special movement in walking, peculiar to her alone, the slope of the shoulders, and the setting of the head, and at once a sort of electric shock ran all over him.
With fresh force, he felt conscious of himself from the springy motions of his legs to the movements of his lungs as he breathed, and something set his lips twitching.
Joining him, she pressed his hand tightly.
"You're not angry that I sent for you?
I absolutely had to see you," she said; and the serious and set line of her lips, which he saw under the veil, transformed his mood at once.
"I angry!
But how have you come, where from?"
"Never mind," she said, laying her hand on his, "come along, I must talk to you."
He saw that something had happened, and that the interview would not be a joyous one.
In her presence he had no will of his own: without knowing the grounds of her distress, he already felt the same distress unconsciously passing over him.
"What is it? what?" he asked her, squeezing her hand with his elbow, and trying to read her thoughts in her face.
She walked on a few steps in silence, gathering up her courage; then suddenly she stopped.
"I did not tell you yesterday," she began, breathing quickly and painfully, "that coming home with Alexey Alexandrovitch I told him everything...told him I could not be his wife, that...and told him everything."
He heard her, unconsciously bending his whole figure down to her as though hoping in this way to soften the hardness of her position for her.
But directly she had said this he suddenly drew himself up, and a proud and hard expression came over his face.
"Yes, yes, that's better, a thousand times better!
I know how painful it was," he said.
But she was not listening to his words, she was reading his thoughts from the expression of his face.
She could not guess that that expression arose from the first idea that presented itself to Vronsky--that a duel was now inevitable.
The idea of a duel had never crossed her mind, and so she put a different interpretation on this passing expression of hardness.
When she got her husband's letter, she knew then at the bottom of her heart that everything would go on in the old way, that she would not have the strength of will to forego her position, to abandon her son, and to join her lover.
The morning spent at Princess Tverskaya's had confirmed her still more in this.
But this interview was still of the utmost gravity for her.
She hoped that this interview would transform her position, and save her.
If on hearing this news he were to say to her resolutely, passionately, without an instant's wavering:
"Throw up everything and come with me!" she would give up her son and go away with him.
But this news had not produced what she had expected in him; he simply seemed as though he were resenting some affront.
"It was not in the least painful to me.
It happened of itself," she said irritably; "and see..." she pulled her husband's letter out of her glove.
"I understand, I understand," he interrupted her, taking the letter, but not reading it, and trying to soothe her. "The one thing I longed for, the one thing I prayed for, was to cut short this position, so as to devote my life to your happiness."
"Why do you tell me that?" she said. "Do you suppose I can doubt it?
If I doubted..."
"Who's that coming?" said Vronsky suddenly, pointing to two ladies walking towards them. "Perhaps they know us!" and he hurriedly turned off, drawing her after him into a side path.
"Oh, I don't care!" she said.
Her lips were quivering.
And he fancied that her eyes looked with strange fury at him from under the veil. "I tell you that's not the point--I can't doubt that; but see what he writes to me.
Read it." She stood still again.
Again, just as at the first moment of hearing of her rupture with her husband, Vronsky, on reading the letter, was unconsciously carried away by the natural sensation aroused in him by his own relation to the betrayed husband.
Now while he held his letter in his hands, he could not help picturing the challenge, which he would most likely find at home today or tomorrow, and the duel itself, in which, with the same cold and haughty expression that his face was assuming at this moment he would await the injured husband's shot, after having himself fired into the air.