Henry James Fullscreen Ambassadors (1903)

Pause

He admitted that he continued to see them, he was decidedly so confirmed a haunter of Chad's premises and that young man's practical intimacy with them was so undeniably great; but he had his reason for not attempting to render for Miss Gostrey's benefit the impression of these last days.

That would be to tell her too much about himself—it being at present just from himself he was trying to escape.

This small struggle sprang not a little, in its way, from the same impulse that had now carried him across to Notre Dame; the impulse to let things be, to give them time to justify themselves or at least to pass.

He was aware of having no errand in such a place but the desire not to be, for the hour, in certain other places; a sense of safety, of simplification, which each time he yielded to it he amused himself by thinking of as a private concession to cowardice.

The great church had no altar for his worship, no direct voice for his soul; but it was none the less soothing even to sanctity; for he could feel while there what he couldn't elsewhere, that he was a plain tired man taking the holiday he had earned.

He was tired, but he wasn't plain—that was the pity and the trouble of it; he was able, however, to drop his problem at the door very much as if it had been the copper piece that he deposited, on the threshold, in the receptacle of the inveterate blind beggar.

He trod the long dim nave, sat in the splendid choir, paused before the cluttered chapels of the east end, and the mighty monument laid upon him its spell.

He might have been a student under the charm of a museum—which was exactly what, in a foreign town, in the afternoon of life, he would have liked to be free to be.

This form of sacrifice did at any rate for the occasion as well as another; it made him quite sufficiently understand how, within the precinct, for the real refugee, the things of the world could fall into abeyance.

That was the cowardice, probably—to dodge them, to beg the question, not to deal with it in the hard outer light; but his own oblivions were too brief, too vain, to hurt any one but himself, and he had a vague and fanciful kindness for certain persons whom he met, figures of mystery and anxiety, and whom, with observation for his pastime, he ranked as those who were fleeing from justice.

Justice was outside, in the hard light, and injustice too; but one was as absent as the other from the air of the long aisles and the brightness of the many altars.

Thus it was at all events that, one morning some dozen days after the dinner in the Boulevard Malesherbes at which Madame de Vionnet had been present with her daughter, he was called upon to play his part in an encounter that deeply stirred his imagination.

He had the habit, in these contemplations, of watching a fellow visitant, here and there, from a respectable distance, remarking some note of behaviour, of penitence, of prostration, of the absolved, relieved state; this was the manner in which his vague tenderness took its course, the degree of demonstration to which it naturally had to confine itself.

It hadn't indeed so felt its responsibility as when on this occasion he suddenly measured the suggestive effect of a lady whose supreme stillness, in the shade of one of the chapels, he had two or three times noticed as he made, and made once more, his slow circuit.

She wasn't prostrate—not in any degree bowed, but she was strangely fixed, and her prolonged immobility showed her, while he passed and paused, as wholly given up to the need, whatever it was, that had brought her there.

She only sat and gazed before her, as he himself often sat; but she had placed herself, as he never did, within the focus of the shrine, and she had lost herself, he could easily see, as he would only have liked to do.

She was not a wandering alien, keeping back more than she gave, but one of the familiar, the intimate, the fortunate, for whom these dealings had a method and a meaning.

She reminded our friend—since it was the way of nine tenths of his current impressions to act as recalls of things imagined—of some fine firm concentrated heroine of an old story, something he had heard, read, something that, had he had a hand for drama, he might himself have written, renewing her courage, renewing her clearness, in splendidly-protected meditation.

Her back, as she sat, was turned to him, but his impression absolutely required that she should be young and interesting, and she carried her head moreover, even in the sacred shade, with a discernible faith in herself, a kind of implied conviction of consistency, security, impunity.

But what had such a woman come for if she hadn't come to pray?

Strether's reading of such matters was, it must be owned, confused; but he wondered if her attitude were some congruous fruit of absolution, of "indulgence."

He knew but dimly what indulgence, in such a place, might mean; yet he had, as with a soft sweep, a vision of how it might indeed add to the zest of active rites.

All this was a good deal to have been denoted by a mere lurking figure who was nothing to him; but, the last thing before leaving the church, he had the surprise of a still deeper quickening.

He had dropped upon a seat halfway down the nave and, again in the museum mood, was trying with head thrown back and eyes aloft, to reconstitute a past, to reduce it in fact to the convenient terms of Victor Hugo, whom, a few days before, giving the rein for once in a way to the joy of life, he had purchased in seventy bound volumes, a miracle of cheapness, parted with, he was assured by the shopman, at the price of the red-and-gold alone.

He looked, doubtless, while he played his eternal nippers over Gothic glooms, sufficiently rapt in reverence; but what his thought had finally bumped against was the question of where, among packed accumulations, so multiform a wedge would be able to enter.

Were seventy volumes in red-and-gold to be perhaps what he should most substantially have to show at Woollett as the fruit of his mission?

It was a possibility that held him a minute—held him till he happened to feel that some one, unnoticed, had approached him and paused.

Turning, he saw that a lady stood there as for a greeting, and he sprang up as he next took her, securely, for Madame de Vionnet, who appeared to have recognised him as she passed near him on her way to the door.

She checked, quickly and gaily, a certain confusion in him, came to meet it, turned it back, by an art of her own; the confusion having threatened him as he knew her for the person he had lately been observing.

She was the lurking figure of the dim chapel; she had occupied him more than she guessed; but it came to him in time, luckily, that he needn't tell her and that no harm, after all, had been done. She herself, for that matter, straightway showing she felt their encounter as the happiest of accidents, had for him a

"You come here too?" that despoiled surprise of every awkwardness.

"I come often," she said.

"I love this place, but I'm terrible, in general, for churches.

The old women who live in them all know me; in fact I'm already myself one of the old women.

It's like that, at all events, that I foresee I shall end."

Looking about for a chair, so that he instantly pulled one nearer, she sat down with him again to the sound of an

"Oh, I like so much your also being fond—!"

He confessed the extent of his feeling, though she left the object vague; and he was struck with the tact, the taste of her vagueness, which simply took for granted in him a sense of beautiful things.

He was conscious of how much it was affected, this sense, by something subdued and discreet in the way she had arranged herself for her special object and her morning walk—he believed her to have come on foot; the way her slightly thicker veil was drawn—a mere touch, but everything; the composed gravity of her dress, in which, here and there, a dull wine-colour seemed to gleam faintly through black; the charming discretion of her small compact head; the quiet note, as she sat, of her folded, grey-gloved hands.

It was, to Strether's mind, as if she sat on her own ground, the light honours of which, at an open gate, she thus easily did him, while all the vastness and mystery of the domain stretched off behind.

When people were so completely in possession they could be extraordinarily civil; and our friend had indeed at this hour a kind of revelation of her heritage.

She was romantic for him far beyond what she could have guessed, and again he found his small comfort in the conviction that, subtle though she was, his impression must remain a secret from her.

The thing that, once more, made him uneasy for secrets in general was this particular patience she could have with his own want of colour; albeit that on the other hand his uneasiness pretty well dropped after he had been for ten minutes as colourless as possible and at the same time as responsive.

The moments had already, for that matter, drawn their deepest tinge from the special interest excited in him by his vision of his companion's identity with the person whose attitude before the glimmering altar had so impressed him.

This attitude fitted admirably into the stand he had privately taken about her connexion with Chad on the last occasion of his seeing them together.

It helped him to stick fast at the point he had then reached; it was there he had resolved that he WOULD stick, and at no moment since had it seemed as easy to do so.

Unassailably innocent was a relation that could make one of the parties to it so carry herself.

If it wasn't innocent why did she haunt the churches?—into which, given the woman he could believe he made out, she would never have come to flaunt an insolence of guilt.

She haunted them for continued help, for strength, for peace—sublime support which, if one were able to look at it so, she found from day to day.

They talked, in low easy tones and with lifted lingering looks, about the great monument and its history and its beauty—all of which, Madame de Vionnet professed, came to her most in the other, the outer view.