But whether the enterprise was as secret from Mrs. Baines as Constance hoped, none save Mrs. Baines knew.
"Con," murmured Sophia, "you're too sickening sometimes."
"Well," said Constance, blandly, "it's no use pretending that this hasn't got to be finished before we go back to school, because it has."
Sophia wandered about, a prey ripe for the Evil One.
"Oh," she exclaimed joyously--even ecstatically--looking behind the cheval glass, "here's mother's new skirt!
Miss Dunn's been putting the gimp on it!
Oh, mother, what a proud thing you will be!"
Constance heard swishings behind the glass.
"What are you doing, Sophia?"
"Nothing."
"You surely aren't putting that skirt on?"
"Why not?"
"You'll catch it finely, I can tell you!"
Without further defence, Sophia sprang out from behind the immense glass.
She had already shed a notable part of her own costume, and the flush of mischief was in her face.
She ran across to the other side of the room and examined carefully a large coloured print that was affixed to the wall.
This print represented fifteen sisters, all of the same height and slimness of figure, all of the same age--about twenty-five or so, and all with exactly the same haughty and bored beauty.
That they were in truth sisters was clear from the facial resemblance between them; their demeanour indicated that they were princesses, offspring of some impossibly prolific king and queen.
Those hands had never toiled, nor had those features ever relaxed from the smile of courts.
The princesses moved in a landscape of marble steps and verandahs, with a bandstand and strange trees in the distance.
One was in a riding-habit, another in evening attire, another dressed for tea, another for the theatre; another seemed to be ready to go to bed.
One held a little girl by the hand; it could not have been her own little girl, for these princesses were far beyond human passions.
Where had she obtained the little girl?
Why was one sister going to the theatre, another to tea, another to the stable, and another to bed?
Why was one in a heavy mantle, and another sheltering from the sun's rays under a parasol?
The picture was drenched in mystery, and the strangest thing about it was that all these highnesses were apparently content with the most ridiculous and out-moded fashions.
Absurd hats, with veils flying behind; absurd bonnets, fitting close to the head, and spotted; absurd coiffures that nearly lay on the nape; absurd, clumsy sleeves; absurd waists, almost above the elbow's level; absurd scolloped jackets!
And the skirts!
What a sight were those skirts!
They were nothing but vast decorated pyramids; on the summit of each was stuck the upper half of a princess.
It was astounding that princesses should consent to be so preposterous and so uncomfortable.
But Sophia perceived nothing uncanny in the picture, which bore the legend:
"Newest summer fashions from Paris.
Gratis supplement to Myra's Journal."
Sophia had never imagined anything more stylish, lovely, and dashing than the raiment of the fifteen princesses.
For Constance and Sophia had the disadvantage of living in the middle ages.
The crinoline had not quite reached its full circumference, and the dress-improver had not even been thought of.
In all the Five Towns there was not a public bath, nor a free library, nor a municipal park, nor a telephone, nor yet a board- school.
People had not understood the vital necessity of going away to the seaside every year.
Bishop Colenso had just staggered Christianity by his shameless notions on the Pentateuch.
Half Lancashire was starving on account of the American war.
Garroting was the chief amusement of the homicidal classes.
Incredible as it may appear, there was nothing but a horse-tram running between Bursley and Hanbridge--and that only twice an hour; and between the other towns no stage of any kind!
One went to Longshaw as one now goes to Pekin.
It was an era so dark and backward that one might wonder how people could sleep in their beds at night for thinking about their sad state.
Happily the inhabitants of the Five Towns in that era were passably pleased with themselves, and they never even suspected that they were not quite modern and quite awake.
They thought that the intellectual, the industrial, and the social movements had gone about as far as these movements could go, and they were amazed at their own progress.
Instead of being humble and ashamed, they actually showed pride in their pitiful achievements.
They ought to have looked forward meekly to the prodigious feats of posterity; but, having too little faith and too much conceit, they were content to look behind and make comparisons with the past.
They did not foresee the miraculous generation which is us.