Arnold Bennett Fullscreen A Tale of Old Women (1908)

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At last he was using it. And he had given himself a half-holiday in order to celebrate his second acquirement of the ostentatious furniture and the crimson lampshades.

This was one of the dramatic crises in his career as a man of substance.

The national thrill of victory had not penetrated into the flat with the concierge and the law.

The emotions of the concierge were entirely independent of the Napoleonic foreign policy.

As Sophia, sick with a sudden disillusion, was putting her things together, and wondering where she was to go, and whether it would be politic to consult Chirac, she heard a fluster at the front door: cries, protestations, implorings.

Her own door was thrust open, and Madame Foucault burst in.

"Save me!" exclaimed Madame Foucault, sinking to the ground.

The feeble theatricality of the gesture offended Sophia's taste.

She asked sternly what Madame Foucault expected her to do.

Had not Madame Foucault knowingly exposed her, without the least warning, to the extreme annoyance of this visit of the law, a visit which meant practically that Sophia was put into the street?

"You must not be hard!" Madame Foucault sobbed.

Sophia learnt the complete history of the woman's efforts to pay for the furniture: a farrago of folly and deceptions.

Madame Foucault confessed too much.

Sophia scorned confession for the sake of confession.

She scorned the impulse which forces a weak creature to insist on its weakness, to revel in remorse, and to find an excuse for its conduct in the very fact that there is no excuse.

She gathered that Madame Foucault had in fact gone away in the hope that Sophia, trapped, would pay; and that in the end, she had not even had the courage of her own trickery, and had run back, driven by panic into audacity, to fall at Sophia's feet, lest Sophia might not have yielded and the furniture have been seized.

From, beginning to end the conduct of Madame Foucault had been fatuous and despicable and wicked.

Sophia coldly condemned Madame Foucault for having allowed herself to be brought into the world with such a weak and maudlin character, and for having allowed herself to grow old and ugly.

As a sight the woman was positively disgraceful.

"Save me!" she exclaimed again.

"I did what I could for you!"

Sophia hated her. But the logic of the appeal was irresistible.

"But what can I do?" she asked reluctantly.

"Lend me the money.

You can.

If you don't, this will be the end for me."

"And a good thing, too!" thought Sophia's hard sense.

"How much is it?" Sophia glumly asked.

"It isn't a thousand francs!" said Madame Foucault with eagerness.

"All my beautiful furniture will go for less than a thousand francs!

Save me!"

She was nauseating Sophia.

"Please rise," said Sophia, her hands fidgeting undecidedly.

"I shall repay you, surely!" Madame Foucault asseverated.

"I swear!"

"Does she take me for a fool?" thought Sophia, "with her oaths!"

"No!" said Sophia.

"I won't lend you the money.

But I tell you what I will do.

I will buy the furniture at that price; and I will promise to re-sell it to you as soon as you can pay me.

Like that, you can be tranquil.

But I have very little money.

I must have a guarantee.

The furniture must be mine till you pay me."

"You are an angel of charity!" cried Madame Foucault, embracing Sophia's skirts.

"I will do whatever you wish.

Ah!

You Englishwomen are astonishing."

Sophia was not an angel of charity.

What she had promised to do involved sacrifice and anxiety without the prospect of reward.