In the end Sophia arose and put on the peignoir which she had almost determined never to wear again.
The broad corridor was lighted by a small, smelling oil-lamp with a crimson globe.
That soft, transforming radiance seemed to paint the whole corridor with voluptuous luxury: so much so that it was impossible to believe that the smell came from the lamp.
Under the lamp lay Madame Foucault on the floor, a shapeless mass of lace, frilled linen, and corset; her light brown hair was loose and spread about the floor.
At the first glance, the creature abandoned to grief made a romantic and striking picture, and Sophia thought for an instant that she had at length encountered life on a plane that would correspond to her dreams of romance.
And she was impressed, with a feeling somewhat akin to that of a middling commoner when confronted with a viscount.
There was, in the distance, something imposing and sensational about that prone, trembling figure.
The tragic works of love were therein apparently manifest, in a sort of dignified beauty.
But when Sophia bent over Madame Foucault, and touched her flabbiness, this illusion at once vanished; and instead of being dramatically pathetic the woman was ridiculous.
Her face, especially as damaged by tears, could not support the ordeal of inspection; it was horrible; not a picture, but a palette; or like the coloured design of a pavement artist after a heavy shower.
Her great, relaxed eyelids alone would have rendered any face absurd; and there were monstrous details far worse than the eyelids.
Then she was amazingly fat; her flesh seemed to be escaping at all ends from a corset strained to the utmost limit.
And above her boots--she was still wearing dainty, high-heeled, tightly laced boots--the calves bulged suddenly out.
As a woman of between forty and fifty, the obese sepulchre of a dead vulgar beauty, she had no right to passions and tears and homage, or even the means of life; she had no right to expose herself picturesquely beneath a crimson glow in all the panoply of ribboned garters and lacy seductiveness.
It was silly; it was disgraceful.
She ought to have known that only youth and slimness have the right to appeal to the feelings by indecent abandonments.
Such were the thoughts that mingled with the sympathy of the beautiful and slim Sophia as she bent down to Madame Foucault.
She was sorry for her landlady, but at the same time she despised her, and resented her woe.
"What is the matter?" she asked quietly.
"He has chucked me!" stammered Madame Foucault.
"And he's the last.
I have no one now!"
She rolled over in the most grotesque manner, kicking up her legs, with a fresh outburst of sobs.
Sophia felt quite ashamed for her.
"Come and lie down.
Come now!" she said, with a touch of sharpness.
"You musn't lie there like that."
Madame Foucault's behaviour was really too outrageous.
Sophia helped her, morally rather than physically, to rise, and then persuaded her into the large bedroom.
Madame Foucault fell on the bed, of which the counterpane had been thrown over the foot.
Sophia covered the lower part of her heaving body with the counterpane.
"Now, calm yourself, please!"
This room too was lit in crimson, by a small lamp that stood on the night-table, and though the shade of the lamp was cracked, the general effect of the great chamber was incontestably romantic.
Only the pillows of the wide bed and a small semi-circle of floor were illuminated, all the rest lay in shadow.
Madame Foucault's head had dropped between the pillows.
A tray containing dirty plates and glasses and a wine-bottle was speciously picturesque on the writing-table.
Despite her genuine gratitude to Madame Foucault for astounding care during her illness, Sophia did not like her landlady, and the present scene made her coldly wrathful.
She saw the probability of having another's troubles piled on the top of her own.
She did not, in her mind, actively object, because she felt that she could not be more hopelessly miserable than she was; but she passively resented the imposition.
Her reason told her that she ought to sympathize with this ageing, ugly, disagreeable, undignified woman; but her heart was reluctant; her heart did not want to know anything at all about Madame Foucault, nor to enter in any way into her private life.
"I have not a single friend now," stammered Madame Foucault.
"Oh, yes, you have," said Sophia, cheerfully.
"You have Madame Laurence."
"Laurence--that is not a friend.
You know what I mean."
"And me!
I am your friend!" said Sophia, in obedience to her conscience.
"You are very kind," replied Madame Foucault, from the pillow.
"But you know what I mean."
The fact was that Sophia did know what she meant.