It was a church at one time, St Clement Danes, its name was.'
He smiled apologetically, as though conscious of saying something slightly ridiculous, and added:
'Oranges and lemons, say the bells of St Clement's!'
'What's that?' said Winston.
'Oh--"Oranges and lemons, say the bells of St Clement's."
That was a rhyme we had when I was a little boy.
How it goes on I don't remember, but I do know it ended up,
"Here comes a candle to light you to bed, Here comes a chopper to chop off your head."
It was a kind of a dance.
They held out their arms for you to pass under, and when they came to "Here comes a chopper to chop off your head" they brought their arms down and caught you.
It was just names of churches.
All the London churches were in it--all the principal ones, that is.'
Winston wondered vaguely to what century the church belonged.
It was always difficult to determine the age of a London building. Anything large and impressive, if it was reasonably new in appearance, was automatically claimed as having been built since the Revolution, while anything that was obviously of earlier date was ascribed to some dim period called the Middle Ages.
The centuries of capitalism were held to have produced nothing of any value.
One could not learn history from architecture any more than one could learn it from books.
Statues, inscriptions, memorial stones, the names of streets--anything that might throw light upon the past had been systematically altered.
'I never knew it had been a church,' he said.
'There's a lot of them left, really,' said the old man, 'though they've been put to other uses.
Now, how did that rhyme go?
Ah!
I've got it!
"Oranges and lemons, say the bells of St Clement's, You owe me three farthings, say the bells of St Martin's----"
there, now, that's as far as I can get.
A farthing, that was a small copper coin, looked something like a cent.' 'Where was St Martin's?' said Winston.
'St Martin's?
That's still standing.
It's in Victory Square, alongside the picture gallery.
A building with a kind of a triangular porch and pillars in front, and a big flight of steps.'
Winston knew the place well.
It was a museum used for propaganda displays of various kinds--scale models of rocket bombs and Floating Fortresses, waxwork tableaux illustrating enemy atrocities, and the like.
'St Martin's-in-the-Fields it used to be called,' supplemented the old man, 'though I don't recollect any fields anywhere in those parts.'
Winston did not buy the picture.
It would have been an even more incongruous possession than the glass paperweight, and impossible to carry home, unless it were taken out of its frame.
But he lingered for some minutes more, talking to the old man, whose name, he discovered, was not Weeks--as one might have gathered from the inscription over the shop-front--but Charrington.
Mr Charrington, it seemed, was a widower aged sixty-three and had inhabited this shop for thirty years.
Throughout that time he had been intending to alter the name over the window, but had never quite got to the point of doing it.
All the while that they were talking the half-remembered rhyme kept running through Winston's head.
Oranges and lemons say the bells of St Clement's, You owe me three farthings, say the bells of St Martin's!
It was curious, but when you said it to yourself you had the illusion of actually hearing bells, the bells of a lost London that still existed somewhere or other, disguised and forgotten.
From one ghostly steeple after another he seemed to hear them pealing forth.
Yet so far as he could remember he had never in real life heard church bells ringing.
He got away from Mr Charrington and went down the stairs alone, so as not to let the old man see him reconnoitring the street before stepping out of the door.
He had already made up his mind that after a suitable interval--a month, say--he would take the risk of visiting the shop again.
It was perhaps not more dangerous than shirking an evening at the Centre.
The serious piece of folly had been to come back here in the first place, after buying the diary and without knowing whether the proprietor of the shop could be trusted.
However----!
Yes, he thought again, he would come back.
He would buy further scraps of beautiful rubbish.
He would buy the engraving of St Clement Danes, take it out of its frame, and carry it home concealed under the jacket of his overalls.